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OverviewCritical wisdom has it that we said a long goodbye to film noir in the 1950s. Robert Miklitsch begs to differ. Pursuing leads down the back streets and alleyways of cultural history, The Red and the Black proposes that the received rise-and-fall narrative about the genre radically undervalues the formal and thematic complexity of '50s noir and the dynamic segue it effected between the spectacular expressionism of '40s noir and early, modernist neo-noir. Mixing scholarship with a fan's devotion to the crooked roads of critique, Miklitsch autopsies marquee films like D.O.A., Niagara, and Kiss Me Deadly plus a number of lesser-known classics. Throughout, he addresses the social and technological factors that dealt deuce after deuce to the genre--its celebrated style threatened by new media and technologies such as TV and 3-D, color and widescreen, its born losers replaced like zombies by All-American heroes, the nation rocked by the red menace and nightmares of nuclear annihilation. But against all odds, the author argues, inventive filmmakers continued to make formally daring and socially compelling pictures that remain surprisingly, startlingly alive. Cutting-edge and entertaining, The Red and the Black reconsiders a lost period in the history of American movies. Full Product DetailsAuthor: Robert MiklitschPublisher: University of Illinois Press Imprint: University of Illinois Press Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.50cm Weight: 0.513kg ISBN: 9780252082191ISBN 10: 0252082192 Pages: 312 Publication Date: 07 December 2016 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsPossesses the potential to alter the entire field. An unimpeachable reference book to be dipped into at need and taken in toto as a substantial, sustained, and original interpretation of its subject. Miklitsch is profoundly (and charmingly) collegial, but his scrupulous tone should not obscure the challenge to received wisdom his book poses. --Ann Douglas, author of Terrible Honesty: Mongrel Manhattan in the 1920s Robert Miklitsch shows once again why he is one of the most interesting and knowledgeable critics of film noir. These readings of key '50s releases sparkle with insight, wit, and the enthusiasm of the committed cinephile. --R. Barton Palmer, author of Hollywood's Dark Cinema: The American Film Noir? Author InformationRobert Miklitsch is a professor in the department of English language and literature at Ohio University. He is the editor of Kiss the Blood Off My Hands: On Classic Film Noir. Tab Content 6Author Website:Countries AvailableAll regions |