Free Delivery Over $100
|
|
|||
|
||||
OverviewThe Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a 'disenchantment of the world' -- the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both 'analytical' and 'continental' traditions of philosophical reflection. The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can 'enchant the world', and that modern art's ambition to do so fails. Full Product DetailsAuthor: Gordon Graham (Princeton Theological Seminary)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 13.80cm , Height: 1.30cm , Length: 21.50cm Weight: 0.293kg ISBN: 9780199581375ISBN 10: 0199581371 Pages: 212 Publication Date: 18 February 2010 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface and acknowledgements I: Spheres of Meaning II: Secularization, secularism and disenchantment III: Seeing the sacred IV: Telling a different story V: Singing a new song VI: Replacing sacred space VII: The art of festival and the dance of life Conclusion Bibliography IndexReviews...strives mightily and most impressively with the thesis that art can restore meaning to life after the 'demise' of religion...This book is chock full of edifying loops and excursions. Jerome Gellman Mind Vol 118 October 2009 `Review from previous edition This is a remarkable book...The book sets down a challenge to those of us involved in aesthetics and the arts-particularly to those of us who are not participants in religious ceremonies and who who are not members of religious communities. It is highly readable and rewarding; and full of argument and generosity to those against whom the author takes issue. I repeat: this is a remarkable book. ' Edward Winters, British Journal of Aesthetics ...strives mightily and most impressively with the thesis that art can restore meaning to life after the 'demise' of religion...This book is chock full of edifying loops and excursions. * Jerome Gellman Mind Vol 118 October 2009 * Author InformationGordon Graham is Henry Luce III Professor of Philosophy and the Arts, Princeton Theological Seminary. Tab Content 6Author Website:Countries AvailableAll regions |
||||
