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OverviewThe double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass instrument. From the mid-1960s and throughout the 1970s, a melismatic and inconsistent approach towards the bass role ensued, which contributed to a major change in how the electric bass was used in performance and perceived in the sonic landscape of mainstream popular music. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, the book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982 as a prime source. Through interviews with players from this era, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass. This highly original book will be of interest not only to bass players, but also to popular musicologists looking for a way to instigate methodological and theoretical discussions on how to develop popular music analysis. Full Product DetailsAuthor: Per Elias Drabløs , Professor Derek B. Scott , Professor Lori Burns , Stan HawkinsPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 1.60cm , Length: 23.40cm Weight: 0.632kg ISBN: 9781472434821ISBN 10: 147243482 Pages: 252 Publication Date: 28 September 2015 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"""The depth to which Drabløs had delved in order to track down details of recordings, the pleasing fluency of his writing, and the consistency and excellent of his transcriptions and their analysis will make the book worth returning to."" - Allan F. Moore, The World of Music (New Series)" The depth to which Drablos had delved in order to track down details of recordings, the pleasing fluency of his writing, and the consistency and excellent of his transcriptions and their analysis will make the book worth returning to. - Allan F. Moore, The World of Music (New Series) Author InformationPer Elias Drablos is an Associate Professor at the University of Agder, Norway, teaching electric bass as a principal instrument. He is also a regular member of the music group Secret Garden, with 5 million CDs sold worldwide. Tab Content 6Author Website:Countries AvailableAll regions |
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