The Public Art Museum in Nineteenth Century Britain: The Development of the National Gallery

Author:   Christopher Whitehead ,  Professor Susan Pearce
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9780754632368


Pages:   296
Publication Date:   28 April 2005
Format:   Hardback
Availability:   In Print   Availability explained
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The Public Art Museum in Nineteenth Century Britain: The Development of the National Gallery


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Author:   Christopher Whitehead ,  Professor Susan Pearce
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   0.453kg
ISBN:  

9780754632368


ISBN 10:   0754632369
Pages:   296
Publication Date:   28 April 2005
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

'Christopher Whitehead has written a useful and careful account of the National Gallery at a crucial phase in its development... The kind of meticulously-researched work Whitehead has carried out in his study can seem less glamorous than broad theorizing, but it has the virtue of being responsible, humane, and liable to offer important insights into historical and contemporary developments... Whitehead has done students of art and of museum a real service with this solid, thoughtful, and sensitive account of the kinds of ideas, aspirations, and even false starts that shape culture.' Victorian Studies '... for those with a deep interest in the evolution of the public art gallery, this is a rewarding volume that offers an able and admirably thorough analysis of the emergence of museological principles and practices that are still very much with us today.' The London Journal 'Whitehead's marshalling and presentation of evidence is exemplary, and his range of sources copious. He is invariably judicious and passes lightly over points which other academics might hammer into assertive, would-be-revisionist articles.' Museum and Society


'Christopher Whitehead has written a useful and careful account of the National Gallery at a crucial phase in its development... The kind of meticulously-researched work Whitehead has carried out in his study can seem less glamorous than broad theorizing, but it has the virtue of being responsible, humane, and liable to offer important insights into historical and contemporary developments... Whitehead has done students of art and of museum a real service with this solid, thoughtful, and sensitive account of the kinds of ideas, aspirations, and even false starts that shape culture.' Victorian Studies ’... for those with a deep interest in the evolution of the public art gallery, this is a rewarding volume that offers an able and admirably thorough analysis of the emergence of museological principles and practices that are still very much with us today.’ The London Journal ’Whitehead’s marshalling and presentation of evidence is exemplary, and his range of sources copious. He is invariably judicious and passes lightly over points which other academics might hammer into assertive, would-be-revisionist articles.’ Museum and Society


'Christopher Whitehead has written a useful and careful account of the National Gallery at a crucial phase in its development... The kind of meticulously-researched work Whitehead has carried out in his study can seem less glamorous than broad theorizing, but it has the virtue of being responsible, humane, and liable to offer important insights into historical and contemporary developments... Whitehead has done students of art and of museum a real service with this solid, thoughtful, and sensitive account of the kinds of ideas, aspirations, and even false starts that shape culture.' Victorian Studies '... for those with a deep interest in the evolution of the public art gallery, this is a rewarding volume that offers an able and admirably thorough analysis of the emergence of museological principles and practices that are still very much with us today.' The London Journal 'Whitehead's marshalling and presentation of evidence is exemplary, and his range of sources copious. He is invariably judicious and passes lightly over points which other academics might hammer into assertive, would-be-revisionist articles.' Museum and Society


Author Information

Dr Christopher Whitehead is a Lecturer in Museum, Gallery and Heritage Studies at the International Centre for Cultural and Heritage Studies, University of Newcastle, UK.

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