Overview

I am glad I have the radiance. This time I am wiser. No one will know... The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see-the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York's Upper West Side in the 1970s, she periodically descends into episodes she describes as ""radiances."" While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, liberating experience for Ellen, and despite the chaos and stigma these episodes can bring, she relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda and the freedom it gives her. In what would turn to be her final published work, originally released in 1979, Elaine Kraf tackles a dark and disturbing subject in an utterly original, witty, and inventive manner. Provocative at the time of its publication and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman. A provocative and thoroughly feminist ""cult classic"" (The New Yorker) about a smart, sensitive, yet deeply troubled young woman fighting to live on her own terms. I am glad I have the radiance. This time I am wiser. No one will know... The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see-the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York's Upper West Side in the 1970s, she periodically descends into episodes she describes as ""radiances."" While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street the kingdom over which she rules. Life as Esmeralda is a colourful, glorious, liberating experience for Ellen, and despite the chaos and stigma these episodes can bring, she relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda and the freedom it gives her. In what would turn to be her final published work, originally released in 1979, Elaine Kraf tackles a dark and disturbing subject in an utterly original, witty, and inventive manner. Provocative at the time of its publication and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.

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Reviews

“A raggedy genius is finally queened, bringing a fairy-tale ending to this cracked dark story of the old West Side.”—Joshua Cohen, Pulitzer Prize–winning author of The Netanyahus “For a novel that is in many ways about fantasy, there is a bracing wind of keen discernment that sweeps through from the first pages to the last. Though Ellen is transported into an alternate (and preferable) reality by what she calls her radiances, she maintains an eagle eye on the world she's in and the people around her: their habits, their hypocrisies, their desires, their wounds. It is one of the marvels of this book that Elaine Kraf manages to be so recklessly fantastical and so coolly perceptive at the same time.”—Jen Silverman, author of There’s Going to Be Trouble “This frenetic and glittering manifesto, wherein a woman wrestles—or dances—with the most misunderstood parts of herself, is a well-deserved reintroduction of what is bound to be a beloved classic for contemporary young women.”—Olivia Gatwood, author of Life of the Party “An electric portrait of one woman’s blazing unraveling. Elaine Kraf is one of literature’s hidden gems—that rare writer who refuses to let us look away from her bright, transcendent suffering. Her work demands a place on your bookshelf right next to Plath and Ditlevsen.”—Sarah Rose Etter, author of Ripe

“A raggedy genius is finally queened, bringing a fairy-tale ending to this cracked dark story of the old West Side.”—Joshua Cohen, Pulitzer Prize-winning author of The Netanyahus

“A raggedy genius is finally queened, bringing a fairy-tale ending to this cracked dark story of the old West Side.”—Joshua Cohen, Pulitzer Prize–winning author of The Netanyahus “For a novel that is in many ways about fantasy, there is a bracing wind of keen discernment that sweeps through from the first pages to the last. Though Ellen is transported into an alternate (and preferable) reality by what she calls her radiances, she maintains an eagle eye on the world she's in and the people around her: their habits, their hypocrisies, their desires, their wounds. It is one of the marvels of this book that Elaine Kraf manages to be so recklessly fantastical and so coolly perceptive at the same time.”—Jen Silverman, author of There’s Going to Be Trouble

Author Information

Elaine Kraf (1936-2013) was a writer and painter. She was the author of four novels- I Am Clarence (1969), The House of Madelaine (1971), Find Him! (1977), and The Princess of 72nd Street (1979). She was the recipient of two National Endowment for the Arts awards, a 1971 fellowship at the Bread Loaf Writers' Conference, and a 1977 residency at Yaddo. She was born and lived in New York City.

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