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9780761873846

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"“Part introduction, part anthology, part critical reflection, Beitchman's novel constellation of materials demonstrates the saliency of non-philosophy.” -- Jonathan Fardy, associate professor of art history, Idaho State University ""This book offers a systematic explanation of the work of François Laruelle in immersion in and with contemporary philosophical and artistic culture and its uses of the ‘no’, a setting in degrowth of philosophy that allows Laruelle to open new spaces for thought"". -- Anne-Françoise Schmid, ""Archives Poincaré""; Co-director (with Laruelle) of the Organisation Non-Philosophique Internationale"

This book offers a systematic explanation of the work of Francois Laruelle in immersion in and with contemporary philosophical and artistic culture and its uses of the 'no', a setting in degrowth of philosophy that allows Laruelle to open new spaces for thought .--Anne-Francoise Schmid, Archives Poincare ; Co-director (with Laruelle) of the Organisation Non-Philosophique Internationale Part introduction, part anthology, part critical reflection, Beitchman's novel constellation of materials demonstrates the saliency of non-philosophy. --Jonathan Fardy, associate professor of art history, Idaho State University

"""This book offers a systematic explanation of the work of François Laruelle in immersion in and with contemporary philosophical and artistic culture and its uses of the 'no', a setting in degrowth of philosophy that allows Laruelle to open new spaces for thought"".--Anne-Françoise Schmid, ""Archives Poincaré""; Co-director (with Laruelle) of the Organisation Non-Philosophique Internationale ""Part introduction, part anthology, part critical reflection, Beitchman's novel constellation of materials demonstrates the saliency of non-philosophy.""--Jonathan Fardy, associate professor of art history, Idaho State University"

“Part introduction, part anthology, part critical reflection, Beitchman's novel constellation of materials demonstrates the saliency of non-philosophy.” -- Jonathan Fardy, associate professor of art history, Idaho State University ""This book offers a systematic explanation of the work of François Laruelle in immersion in and with contemporary philosophical and artistic culture and its uses of the ‘no’, a setting in degrowth of philosophy that allows Laruelle to open new spaces for thought"". -- Anne-Françoise Schmid, ""Archives Poincaré""; Co-director (with Laruelle) of the Organisation Non-Philosophique Internationale

Part introduction, part anthology, part critical reflection, Beitchman's novel constellation of materials demonstrates the saliency of non-philosophy. --Jonathan Fardy, associate professor of art history, Idaho State University This book offers a systematic explanation of the work of Francois Laruelle in immersion in and with contemporary philosophical and artistic culture and its uses of the 'no', a setting in degrowth of philosophy that allows Laruelle to open new spaces for thought.--Anne-Francoise Schmid, Archives Poincare; Co-director (with Laruelle) of the Organisation Non-Philosophique Internationale

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Philip Beitchman is professor of world literature at Medgar Evers College of the City University of New York.

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