The Political Gesture in Pedro Costa’s Films

Author:   Fiona Handyside ,  Danielle Hipkins ,  Mariana Liz ,  Catherine Wheatley
Publisher:   Peter Lang International Academic Publishers
Edition:   New edition
Volume:   25
ISBN:  

9781800798359


Pages:   168
Publication Date:   31 May 2024
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Political Gesture in Pedro Costa’s Films


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Overview

This book offers a new reading of the work of Portuguese filmmaker Pedro Costa. It provides a formal and detailed analysis of his films to suggest that Costa’s formal procedures generate a contingency of meaning. The book proposes that Costa’s films suggest a critical thinking posited through the materiality of the cinematic medium that is capable of exposing the limits of filmic representation itself. In addition, the author argues that Costa’s political gesture derives from the articulation of the intrinsic elements of the filmic medium rather than the depiction of a social reality.

Full Product Details

Author:   Fiona Handyside ,  Danielle Hipkins ,  Mariana Liz ,  Catherine Wheatley
Publisher:   Peter Lang International Academic Publishers
Imprint:   Peter Lang International Academic Publishers
Edition:   New edition
Volume:   25
Weight:   0.271kg
ISBN:  

9781800798359


ISBN 10:   1800798350
Pages:   168
Publication Date:   31 May 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Contents: Frame – De-dramatization – Time – Repetition – The historical event – Ventura: The Bartleby of the slums.

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Author Information

Patrícia Sequeira Brás is Visiting Assistant Professor in Film Studies and Integrated Researcher at CEIS20 at Universidade de Coimbra. She concluded her doctoral research in the Department of Iberian and Latin American Studies at Birkbeck, University of London, in 2015. She previously taught at Queen Mary and Birkbeck, University of London, and at the University of Exeter in the UK and then held a research position at Universidade Lusófona in Lisbon. The relationship between politics and cinema that motivated her doctoral work continues to shape her new research projects. Her current research interests include documentary film genre, feminism and gender studies, filmic temporality and visual coloniality.

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