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OverviewFull Product DetailsAuthor: Erik S. RorabackPublisher: Brill Imprint: Brill Volume: 2 Dimensions: Width: 15.50cm , Height: 2.30cm , Length: 23.50cm Weight: 0.626kg ISBN: 9789004323278ISBN 10: 9004323279 Pages: 296 Publication Date: 23 March 2017 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsIntroduction: Re-Framing Modernity Part I. A Philosophical & Sociological-Dramatic Baroque 1 Niklas Luhmann & Autopoietic Forms of the Neo (baroque) Modern; or: Structure, System, & Contingency 2 Toward another Minor Globality to Come; or, The Folds of Desire's (Dis)contents of Orson Welles, Lacan, & Shakespeare's King Lear (c. 1606) 3 The Monad of Deleuze's Many-Tiered High Baroque G.W. Leibniz Part II. A Literary-Philosophical Baroque 4 A Multiplicity of Folds of An Unconscious & Autopoietic Monad of Henry James, Benjamin, & Blanchot 5 Modern and Postmodern Baroque Conceptual Intersections & Interventions: Finnegans Wake (1939), Gravity's Rainbow (1973) & L'Ecriture du desastre (The Writing of the Disaster) (1980) 6 Autopoietic Neobaroque Vectors: Artistic Authority, Interpretation, & Economic Un-Power of Finnegans Wake 7 Autopoietic & Joyous Folds: Deleuze's Le pli: Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) & Joyce's 'stohong baroque' Finnegans Wake (1939) 8 An Autopoietic Baroque; or, the Little Experiment Orientations of Joyce's Finnegans Wake (1939) 9 Folding Blanchot onto Pynchon: Enlightenment Reason, the Global System, & World Citizenship 9.1 The Crying of Lot 49 (1966) 9.2 Gravity's Rainbow (1973) 9.3 Mason & Dixon (1997) Part III. A Philosophical-Psychoanalytic Baroque 10 Catastrophe, Allegory, & the Philosophical Baroque: A Spiritual Quartet of Benjamin-Lacan & Joyce-Pynchon Conclusions Works Cited IndexReviewsErik Roraback's The Philosophical Baroque: On Autopoietic Modernities is a great book that will engage an energetic and important subfield of scholarship. --William Egginton, The Andrew W. Mellon Professor in the Humanities, The Johns Hopkins University, author of The Theater of Truth: The Ideology of (Neo) Baroque Aesthetics (Stanford University Press). Erik Roraback's The Philosophical Baroque: On Autopoietic Modernities is a great book that will engage an energetic and important subfield of scholarship. - William Egginton, Andrew W. Mellon Professor in the Humanities, The Johns Hopkins University, author of The Theater of Truth: The Ideology of (Neo) Baroque Aesthetics Author InformationErik S. Roraback teaches critical theory, international cinema, and U.S. literature at Charles University (est. 1348) and F.A.M.U. (The Academy of Performing Arts, Film and TV School) in Prague. He holds a degree from the University of Oxford (D.Phil.) and is the author of The Dialectics of Late Capital and Power: James, Balzac and Critical Theory (2007). Tab Content 6Author Website:Countries AvailableAll regions |