The Oxford Handbook of Voice Perception

Author:   Sascha Frühholz (Professor for Cognitive and Affective Neuroscience, Professor for Cognitive and Affective Neuroscience, University of Zurich, Institute for Psychology, Switzerland) ,  Pascal Belin (Professor in Neuroscience, Professor in Neuroscience, Aix-Marseille University, France)
Publisher:   Oxford University Press
ISBN:  

9780198743187


Pages:   976
Publication Date:   06 December 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Oxford Handbook of Voice Perception


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Author:   Sascha Frühholz (Professor for Cognitive and Affective Neuroscience, Professor for Cognitive and Affective Neuroscience, University of Zurich, Institute for Psychology, Switzerland) ,  Pascal Belin (Professor in Neuroscience, Professor in Neuroscience, Aix-Marseille University, France)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 17.90cm , Height: 5.50cm , Length: 25.40cm
Weight:   1.986kg
ISBN:  

9780198743187


ISBN 10:   0198743181
Pages:   976
Publication Date:   06 December 2018
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Part I: The Voice is Special 1: Sascha Frühholz and Pascal Belin: The science of voice perception 2: Diana Van Lancker Sidtis: Ancient of days: The vocal pattern as primordial big bang of communication 3: Pascal Belin: The ""Vocal Brain"": Core and extended cerebral networks for voice processing 4: Klaus Scherer: Acoustic patterning of emotion vocalizations 5: Yuanyuan Wang, Derek M. Houston, and Amanda Seidl: Acoustic properties of infant-directed speech 6: Johan Sundberg: The singing voice 7: Martin Meyer, Matthias Keller, and Nathalie Giroud: Suprasegmental speech prosody and the human brain: The acoustic and vocal features and the evolutionary architecture of the brain 8: Jody Kreiman, Bruce Gerratt: Reconsidering the nature of voice Part II: Ontogenetic development of voice perception 9: Natacha Paquette, Emmanuelle Dionne-Dostie, Maryse Lassonde and Anne Gallagher: Voice perception in newborns and infants 10: Stefan Elmer, Eva Dittinger, and Mireille Besson: One step beyond: musical expertise and word learning 11: Evelyne Mercure and Laura Kischkel: Social perception in infancy: An integrative perspective on the development of voice and face perception 12: Katherine S. Young, Christine E. Parsons, Alan Stein, Peter Vuust, Michelle G. Craske, and Morten L. Kringelbach: Neural responses to infant vocalisations in adult listeners Part III: Evolution and comparative perspective 13: Alan K.S. Nielsen and Drew Rendall: Comparative perspectives on communication in human and nonhuman primates: Grounding meaning in broadly conserved processes of voice production, perception, affect and cognition 14: Samantha Carouso Peck and Michael H. Goldstein: Linking vocal learning to social reward in the brain: Proposed neural mechanisms of socially guided song learning 15: Catherine Perrodin and Christopher I. Petkov: Voice sensitive regions, neurons and multisensory pathways in the primate brain 16: Attila Andics and Tamás Faragó: Voice perception across species 17: Charles T. Snowdon: Emotional and social communication in nonhuman animals 18: Josef P. Rauschecker: Dual stream models of auditory vocal communication Part IV: Emotional and motivational vocal expression 19: Sascha Frühholz and Leonardo Ceravolo: The neural network underlying the processing of affective vocalizations 20: Silke Paulmann and Sonja A. Kotz: The electrophysiology and time-course of processing vocal emotion expressions 21: Jocelyne C. Whitehead and Jorge L. Armony: Amygdala processing of vocal emotions 22: Kai Alter and Dirk Wildgruber: Laughing out loud! Investigations on different types of laughter Part V: Vocal identity, personality, and the social context 23: Tyler K. Perrachione: Recognizing speakers across languages 24: Stefan R. Schweinberger and Romi Zäske: Perceiving speaker identity from the voice 25: Marianne Latinus and Romi Zäske: Perceptual correlates and cerebral representation of voices-identity, gender, and age 26: Phil McAleer and Pascal Belin: The perception of personality traits from voices 27: Katarzyna Pisanski and David R. Feinberg: Vocal attractiveness 28: Sarah Stevenage: Voice processing: Implications for earwitness testimony 29: Benjamin Kreifelts and Thomas Ethofer: Voices in the context of human faces and bodies 30: Patricia E.G. Bestelmeyer: Linguistic 'first impressions': Accents as cue to person perception Part VI: Machine-based generation and decoding of voices 31: Hideki Kawahara and Verena Skuk: Voice morphing 32: Alessandro Vinciarelli: Machine-based decoding of voices and human speech 33: Maximilian Schmitt and Bjorn Schuller: Machine-based decoding of paralinguistic vocal features 34: Bernd J. Kröger: Neurocomputational models of voice and speech perception 35: Keikichi Hirose: Voice and speech synthesis - highlighting control of prosody 36: Volker Dellwo, Peter French, and Lei He: Voice biometrics for forensic speaker recognition applications Part VII: Clinical disorders 37: David I. Leitman and Sarah M. Haigh: Impairments in decoding vocal emotion in schizophrenia and bipolar disorder 38: Kristiina Kompus and Kenneth Hugdahl: Perception of voices that do not exist: Neuronal mechanisms in clinical and non-clinical hallucinations 39: Claudia Roswandowitz, Corrina Maguinnessa, and Katharina von Kriegstein: Deficits in voice-identity processing: Acquired and developmental phonagnosia 40: Jennifer L. Agustus, Julia C. Hailstone, and Jason D. Warren: Voice processing in dementia"

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Sascha Frühholz is currently SNSF Professor for Cognitive and Affective Neuroscience at the Institute of Psychology at University of Zurich, Switzerland. He is also with the Neuroscience Center Zurich, Switzerland and the Zurich Center for Integrative Human Physiology, Switzerland. He has established a unique line of research into dynamic brain patterns during the production and perception of socio-affective information in voices. Pascal Belin is professor of Neuroscience at Aix-Marseille Université and heads the Neural Bases of Communication research team at the Institut de Neuroscience de La Timone in Marseille, France. He has pioneered an original line of research on the cerebral bases of voice perception that he is now developing along an evolutionary dimension.

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