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Author:   Candace Jones (Associate Professor, Associate Professor, Boston College) ,  Mark Lorenzen (Professor, Professor, Copenhagen Business School) ,  Jonathan Sapsed (Principal Research Fellow, Principal Research Fellow, University of Brighton)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 17.10cm , Height: 2.90cm , Length: 24.60cm
Weight:   0.984kg
ISBN:  

9780198787792

ISBN 10:   0198787790
Pages:   576
Publication Date:   05 October 2017
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Part I: Introduction 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative Industries: A Typology of Change Part II: Creativity 2: Robert Sternberg and James Kaufman: The Creative Mind 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in Creative Industries 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity in Social Networks: A Core-Periphery Perspective 5: Richard Florida, Charlotta Mellander, and Patrick Adler: Creativity in the City Part III: Valuing Creativity and Creating Value 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic Goods: Translating Economic and Symbolic Capitals in Creative Industries 7: Anna Dempster: Trading Places: Auctions and the Rise of the Chinese Art Market 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and Inequalities 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative Industries 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad: Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs 11: Mukthi Khaire: Entrepreneurship in Creative Industries and Cultural Change: Art, Fashion, and Modernity in India 12: Allegre Hadida: Performance in the Creative Industries Part IV: Organizing Creative Industries 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in Creative Industries 14: Robert DeFillippi: Managing Project-Based Organization in Creative Industries 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring and Maintaining Creative Fields 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User Innovation in Creative Industries 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music Software Industry: The Case of Sibelius 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and Classifications in the Creative Industries Part V: Industrial Organisation and Creative Economy 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries 20: Stuart Cunningham and Jason Potts: Creative Industry and the Wider Economy 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social Networks in the Creative Industries 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions: Disintermediation and Glocalized Markets in Creative Industries Part VI:Policy and Development 23: Fiona Macmillan: Copyright, The Creative Industries and The Public Domain 24: Martin Kretschmer: Copyright and its Discontents 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public Policy for the Creative Industries 26: Neil Coe: Global Production Networks in the Creative Industries 27: Andy Pratt: Creative Industries and Development: Culture in Development, or the Cultures of Development?

Reviews

<em>The Oxford Handbook of Creative Industries</em> is a comprehensive compendium of up-to-date scholarly works on the formation, dynamics, and outcomes of creative industries. Two distinctive strengths of this handbook are the breadth of topics covered and the diversity of disciplinary perspectives brought to bear to examine such topics. In fact, the volume is appealing because its sum is greater than its parts: not only do the editors connect the various contributions through their theoretical framework in the introduction, but several chapters engage with and refer to each other in the volume. The other chapters of the handbook reflect a deep understanding of the specific theoretical and practical issues summarized above and provide rich descriptions and analyses of the different case studies and creative industries examined. -- <em>Administrative Science Quarterly</em>

-The Oxford Handbook of Creative Industries is a comprehensive compendium of up-to-date scholarly works on the formation, dynamics, and outcomes of creative industries. Two distinctive strengths of this handbook are the breadth of topics covered and the diversity of disciplinary perspectives brought to bear to examine such topics. In fact, the volume is appealing because its sum is greater than its parts: not only do the editors connect the various contributions through their theoretical framework in the introduction, but several chapters engage with and refer to each other in the volume. The other chapters of the handbook reflect a deep understanding of the specific theoretical and practical issues summarized above and provide rich descriptions and analyses of the different case studies and creative industries examined.- -- Administrative Science Quarterly

Author Information

Candace Jones is an Associate Professor at the Carrol School of Management, Boston College. Her research interests focus on cultural frameworks, cultural meaning and social structures. She is currently on the editorial review boards of Organization Science, Strategic Management Journal, Journal of Management Studies and Organization Studies, where she was a Senior Editor from 2008-2012. Professor Jones was elected Division Chair for Organization and Management Division of the Academy of Management 2012-2015, and served as Representative at Large from 2008-2010. Mark Lorenzen is a Professor at the Copenhagen Business School. He researches relations between innovation and economic organization in networks, projects, and clusters. Mark has published widely, convened sessions at DRUID, AOM, EGOS and AAG, raised extensive research funding and received awards for research excellence. He is editor-in-chief of Industry and Innovation and editor of Routledge Studies in Industial Dynamics. He is a member of the executive committee of the DRUID Society, is a keynote speaker and commentator and has received CBS award for excellence in research dissemination. Dr Jonathan Sapsed is Academic Director of the Brighton Fuse project. He is a Principal Research Fellow at CENTRIM in University of Brighton's Business School and was an Innovation Fellow of the Advanced Institute of Management Research (AIM). He has researched creativity and innovation in digital creative firms in Silicon Valley in the US, UK video games developers, as well as companies such as Sun Microsystems, Ericsson, and QinetiQ. His research is published in journals such as Research Policy and Organization Studies.

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