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OverviewIn the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era's most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media. Full Product DetailsAuthor: Dominic Lennard , R. Barton Palmer , Murray PomerancePublisher: Edinburgh University Press Imprint: Edinburgh University Press Volume: 1 ISBN: 9781474442664ISBN 10: 1474442668 Pages: 408 Publication Date: 31 August 2022 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsThe Other Hollywood Renaissance is an extraordinary volume which testifies to the incredible richness of 1970s cinema. These 23 concise, eloquent and keenly insightful auteurist essays, expertly assembled, recover and re-examine the considerable achievements of a wide array of directors, ranging from the highly esteemed and well-known (Sidney Lumet, Mike Nichols and Terrence Malick) to the highly neglected (John Boorman, Elaine May and Alan Rudolph). Like the best critics, these authors compel us to watch the films anew with a fresh appreciation of their directors' work.--Matthew Bernstein, Emory University Author InformationDominic Lennard, Teaching Fellow, University of Tasmania. R. Barton Palmer, Calhoun Lemon Professor of Literature, Clemson University. Murray Pomerance, Professor. Tab Content 6Author Website:Countries AvailableAll regions |