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OverviewThis book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions. Full Product DetailsAuthor: Karl ReichlPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9781032038087ISBN 10: 103203808 Pages: 270 Publication Date: 31 May 2023 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Part I: Settings 1 How to Identify an Oral Epic Oral: shades and grades The challenge of native classification An African interlude The Uzbek dastan 2 The Singer Epic singers: types and terms How to become an epic singer The chain of transmission Creativity and innovation 3 Introducing Performance The ethnography of communication Textualization Part II: Performance 4 Voice Speaking Singing Shamanic voices 5 Gesture Conventional gestures: the Karakalpak jïraw Stylized gestures: the Kyrgyz manaschï Gesture and inspiration Gesture, miming, stage props 6 Oral Epics as Songs Song as vehicle, song as music ‘Riding the song’: the singing of the Kyrgyz epic Manas Music and metre: some examples 7 Voice and Instrument Gusle, qobïz, horse-head fiddle Lute, dutar, dombira The interplay of song and instrument Part III: Interpretation 8 Words, Music, Meaning Meaning and expression What’s in a name? Imitation Leitmotifs in Siberian oral epics Expression and convention 9 The Singer and the Tale Point of View Mythological epics, sacred time First-person narration, shamanic traces The narrator’s presence in the narrative 10 Performance and Interpretation Visualization and imaging Aria and recitative From context to text Appendices A Notes on Oral Epic Traditions B Audio/Video Examples C DiscographyReviewsUnderlying The Oral Epic: From Performance to Interpretation are Reichl’s pioneering labor of many decades to inform research on orality in medieval European literatures by means of his extensive fieldwork with Central Asian Turkic oral bards (Parry’s first and unrealized choice as ethnographic subjects to test his path-breaking theory of Homeric composition) and his grounding in musicology, ethno-and otherwise. The book goes beyond this basis, however. It is one of the most broadly comparative single-authored syntheses of research yet produced on living or recently living oral epic traditions worldwide. As such, the book makes a worthy American/oralist complement to synthetic works in the other schools (for example, A. T. Hatto, “Towards an Anatomy of Heroic and Epic Poetry,” in Traditions of Heroic and Epic Poetry, Vol. 2, 1989; and V. M. Gatsak, Ustnaia ėpicheskaia traditsiia vo vremeni, 1989). Moreover, its conciseness, evenness in treating matters of broad scope, and accessible style make it suitable for use as a textbook. --Daniel Prior, Miami University for Journal of American Folklore Author InformationKarl Reichl is Professor Emeritus of the University of Bonn (Institute of English, American and Celtic Studies). He has had visiting professorships at Harvard University, the Hebrew University of Jerusalem, the École Pratique des Hautes Études in Paris, the University of Madison at Wisconsin, and the Karakalpak State University in Nukus. His main research interests lie in medieval oral literature and in contemporary (or near-contemporary) oral epic poetry, especially in the Turkic-speaking areas of Central Asia. Tab Content 6Author Website:Countries AvailableAll regions |
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