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OverviewApproximately 1300 ethnographic field recordings of Tiwi songs, made between 1912 and 1981, are archived at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra. In November 2009, Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim these archived songs and song texts. The Old Songs are Always New explores their return home to the Tiwi Islands and reveals that the fundamentally contemporary, topical and current nature of the Tiwi song culture has resulted in the preservation of a rich social, cultural and historical oral record. Campbell describes the melody, rhythm, vocal technique, language, performance context and function of the twelve Tiwi song types, and gives an overview of the language and poetic devices used in song composition. Full Product DetailsAuthor: Genevieve CampbellPublisher: Sydney University Press Imprint: Sydney University Press Dimensions: Width: 17.80cm , Height: 1.20cm , Length: 25.40cm Weight: 0.420kg ISBN: 9781743328750ISBN 10: 1743328753 Pages: 320 Publication Date: 31 July 2023 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgements Contents List of figures List of music transcriptions and notes List of song texts List of audio examples List of other recorded material in the AIATSIS archive List of plates Map Preface Notes on orthography List of Tiwi Elders, singers, culture and knowledge holders, and research consultants Glossary of terms Prologue Chapter 1: An introduction to the Islands Chapter 2: The archived recordings Chapter 3: Singing identity Chapter 4: Kulama Chapter 5: The Tiwi Language(s) Plates Chapter 6: The classical Tiwi music Chapter 7: Emerging musical genres Epilogue References IndexReviews“For everything that has happened on the country of Indigenous people, there is always the version told or sung that is told by Indigenous people themselves – full of humour and pathos, sadness and grief – that never makes it into the ‘objective’ accounts of Western history. ... Enables non-Indigenous readers to come to know how any one event can have another story, another way of it being interpreted.” -- John J. Bradley Author InformationGenevieve Campbell has worked for 30 years as a professional French Horn player and since 2007 has been involved with senior Tiwi singers in musical collaboration which has resulted in numerous performances, recordings and study centred around the repatriation to the Tiwi community of ethnographic field recordings of Tiwi ceremony and song. Her recent Sydney University Fellowship at the Sydney Conservatorium of Music and the Sydney Environment Institute focused on the role of Tiwi song and embodied knowledge in cultural maintenance, artistic creativity and community health. She is currently a Research Affiliate at the Sydney Conservatorium of Music. Tab Content 6Author Website:Countries AvailableAll regions |
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