The New Wave Cinema in Iran: A Critical Study

Author:   Parviz Jahed (Independent Scholar, UK)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781501369124


Pages:   240
Publication Date:   30 June 2022
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The New Wave Cinema in Iran: A Critical Study


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Overview

The New Wave Cinema in Iran is a historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. As the movement has a long history, Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. Jahed first defines the term 'New Wave' in Iran's film culture, in order to identify the root elements that gave traction to this movement. He analyses the degree to which different elements and factors have contributed to the formation of this cinema, accounting for the different approaches of Iranian intellectual filmmakers towards modernity and a modern form of cinema in Iran. The book finishes by studying the works of three intellectual figures and influential filmmakers of the 1960s, Ebrahim Golestan, Farrokh Ghaffari, and Feraydoon Rahnama, who are arguably considered the forerunners of the New Wave Cinema in Iran.

Full Product Details

Author:   Parviz Jahed (Independent Scholar, UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781501369124


ISBN 10:   1501369121
Pages:   240
Publication Date:   30 June 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Parviz Jahed provides a fascinating account of the development of Iranian New Wave Cinema, tracing both the local factors behind its emergence and the international influences informing the aesthetic richness of the films. Importantly, Jahed considers how New Wave filmmakers were both hindered and helped by the state and assesses the critical discourses that emerged as a small group of filmmakers attempted to challenge popular cinematic conventions in Iran in the 1960s to establish an intellectual, more artistic cinematic practice. * Michelle Langford, Associate Professor, University of New South Wales, Sydney, Australia *


Author Information

Parviz Jahed is an independent scholar based in the UK. He is also a film critic, film researcher, filmmaker and lecturer in film studies. He is the editor-in-chief of Cine-Eye, a UK based film journal focused on independent and art cinema, and editor of the Directory of World Cinema: Iran (2012).

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