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OverviewFictional narratives of the late twentieth century often cross boundaries. This study argues that the undoing of structure in postmodern art form demands a different way of thinking and represents a commentary on the material and social conditions of the late twentieth century and beyond. Full Product DetailsAuthor: M. HughesPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2013 Dimensions: Width: 14.00cm , Height: 1.30cm , Length: 21.60cm Weight: 3.212kg ISBN: 9781349456567ISBN 10: 134945656 Pages: 237 Publication Date: 18 March 2013 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews'A sophisticated and engaging work that makes a significant contribution to the field of contemporary aesthetics and critical theory.' - Christopher A. Dustin, Professor of Philosophy, College of the Holy Cross 'In this book Mary-Joe Hughes shows how our post-sixties culture bears witness to a dramatic dissolution of boundaries between form and content, author and reader, text and world. Challenging the postmodern cult of Theory the author lets works of art - music, film, painting and literature - speak for themselves, while remaining critically conversant with the philosophies of Derrida and Levinas. The book makes a powerful plea for creative interconnection over cynical conflation, for inventive hybridity over consumerist confusion, citing contemporary works from Coetzee and Calvino to Peter Weir and Yo-Yo Ma. The author convinces by a combination of intellectual audacity, critical integrity and deep imagination.' - Richard Kearney, Charles Seelig Chair of Philosophy, Boston College 'A sophisticated and engaging work that makes a significant contribution to the field of contemporary aesthetics and critical theory.' - Christopher A. Dustin, Professor of Philosophy, College of the Holy Cross 'In this book Mary-Joe Hughes shows how our post-sixties culture bears witness to a dramatic dissolution of boundaries between form and content, author and reader, text and world. Challenging the postmodern cult of Theory the author lets works of art - music, film, painting and literature - speak for themselves, while remaining critically conversant with the philosophies of Derrida and Levinas. The book makes a powerful plea for creative interconnection over cynical conflation, for inventive hybridity over consumerist confusion, citing contemporary works from Coetzee and Calvino to Peter Weir and Yo-Yo Ma. The author convinces by a combination of intellectual audacity, critical integrity and deep imagination.' - Richard Kearney, Charles Seelig Chair of Philosophy, Boston College 'A sophisticated and engaging work that makes a significant contribution to the field of contemporary aesthetics and critical theory.' - Christopher A. Dustin, Professor of Philosophy, College of the Holy Cross 'In this book Mary-Joe Hughes shows how our post-sixties culture bears witness to a dramatic dissolution of boundaries between form and content, author and reader, text and world. Challenging the postmodern cult of Theory the author lets works of art - music, film, painting and literature - speak for themselves, while remaining critically conversant with the philosophies of Derrida and Levinas. The book makes a powerful plea for creative interconnection over cynical conflation, for inventive hybridity over consumerist confusion, citing contemporary works from Coetzee and Calvino to Peter Weir and Yo-Yo Ma. The author convinces by a combination of intellectual audacity, critical integrity and deep imagination.' - Richard Kearney, Charles Seelig Chair of Philosophy, Boston College Author InformationMary Jo Hughes is the assistant director of the Arts and Sciences Honors Program at Boston College. Tab Content 6Author Website:Countries AvailableAll regions |