Overview

"The marriage in 1589 of Grand Duke Ferdinando de' Medici and the French princess Christine of Lorraine was a landmark event in Renaissance art and architecture, theater, music, and political ceremonial. Celebrated by a month of elaborate pageantry that required a full year of preparations, the wedding mobilized the combined artistic, intellectual, and administrative forces of Tuscany at the zenith of its wealth, power, and cultural prestige. This book combines art and social history to present the first comprehensive reconstruction of the Medici wedding and in the process provides a fascinating narrative of Florentine culture during the Renaissance. James Saslow draws on a rich trove of visual and archival sources to describe the jousts, plays, musical-dramatic intermedi, processions, and tournaments that celebrated the wedding; the artists, musicians, and architects who created and organized the events; and the bureaucratic administration that sustained this Renaissance ""theater of the world."" His sources include producers' daily logbooks and detailed records of the design process, staff, payments, and logistics, as well as eighty-eight set and costume drawings, paintings, and prints, which appear in a catalogue included in the book. Saslow's study will be of interest to practitioners and historians of theater, dance, music, and the visual arts, as well as to students of political and economic history and cultural studies."

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9780300064476

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Reviews

A detailed account of theatrical pageants celebrating one of the most sumptuous weddings of Renaissance Italy. Ferdinando de' Medici had been a cardinal since age 14 and was known as a religious reformer and a patron of the arts. The death of his elder brother forced him to leave the church to rescue the dynasty from extinction. His marriage to Christine de Lorraine cemented an important political alliance and brought Florence an enormous dowry from the French. Saslow (Art History/Queens College) guides us through the ten months of preparations for the events and the actual pageants, which began with Christine's arrival at Livorno on April 24 and lasted until June 8. Attractions included triumphal entries, mock naval battles against the Turks, and a soccer match. Saslow is particularly interested in the series of intermedi, which were allegorical tableaux inserted between the acts of comedies in the Medici Theater. They involved the use of instrumental music, song, dance, and splendid costumes and stage designs, and they featured classical characters, such as nymphs and shepherds, Bacchus and Apollo, and the figures of Rhythm and Harmony - all glorifying the ruling couple and wishing them offspring. Saslow is a conscious admirer of Michel Foucault (he tends to write like him), and he interprets this rich material both as fine art and as an artifact of social and political control. Drawing on published texts, sketches, paintings and prints (many of which are superbly reproduced here), and manuscript sources, such as stage manager Girolamo Seriacopi's daily production logbook, our author explores such details of backstage life as salaries, working conditions, and the incipient roles of women. Valuable reading for students of Renaissance society and the performing arts. (Kirkus Reviews)

Author Information

James M. Saslow is associate professor of art history at Queens College, City University of New York. He is also the author of Ganymede in the Renaissance: Homosexuality in Art and Society and The Poetry of Michelangelo: An Annotated Translation, both published by Yale University Press.

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