The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance

Author:   Valeria Finucci
Publisher:   Duke University Press
ISBN:  

9780822330547


Pages:   328
Publication Date:   19 March 2003
Format:   Hardback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance


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Full Product Details

Author:   Valeria Finucci
Publisher:   Duke University Press
Imprint:   Duke University Press
Dimensions:   Width: 15.90cm , Height: 3.20cm , Length: 24.80cm
Weight:   0.771kg
ISBN:  

9780822330547


ISBN 10:   0822330547
Pages:   328
Publication Date:   19 March 2003
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Reviews

An extremely fascinating and original work. Finucci's book questions the traditional concepts associated with the Italian Renaissance (harmony, spiritual perfection and beauty, etc.) and addresses much less 'luminous' aspects of sixteenth-century Italian culture. Armando Maggi, University of Chicago Valeria Finucci is at it again, patrolling and illuminating the unstable boundaries of sex and gender in early modern Italian culture and literature. Relating canonical literary texts to the medical and legal culture of their times, she explores the fascination that spontaneous generation, cuckoldry, the maternal imagination, androgyny, and the deliberate manufacture of castrati held for early modern Italians--and still hold for us. Walter Stephens, author of Demon Lovers: Witchcraft, Sex, and the Crisis of Belief


Valeria Finucci's book questions the traditional concepts associated with the Italian Renaissance (harmony, spiritual perfection and beauty, etc.) and addresses much less 'luminous' aspects of sixteenth-century Italian culture. -Armando Maggi, author of Satan's Rhetoric: A Study of Renaissance Demonology Valeria Finucci is at it again, patrolling and illuminating the unstable boundaries of sex and gender in early modern Italian culture and literature. Relating canonical literary texts to the medical and legal culture of their times, she explores the fascination that spontaneous generation, cuckoldry, the maternal imagination, androgyny, and the deliberate manufacture of castrati held for early modern Italians-and still hold for us. -Walter Stephens, author of Demon Lovers: Witchcraft, Sex, and the Crisis of Belief


"""An extremely fascinating and original work. Finucci's book questions the traditional concepts associated with the Italian Renaissance (harmony, spiritual perfection and beauty, etc.) and addresses much less 'luminous' aspects of sixteenth-century Italian culture."" Armando Maggi, University of Chicago ""Valeria Finucci is at it again, patrolling and illuminating the unstable boundaries of sex and gender in early modern Italian culture and literature. Relating canonical literary texts to the medical and legal culture of their times, she explores the fascination that spontaneous generation, cuckoldry, the maternal imagination, androgyny, and the deliberate manufacture of castrati held for early modern Italians--and still hold for us."" Walter Stephens, author of Demon Lovers: Witchcraft, Sex, and the Crisis of Belief"


Author Information

Valeria Finucci is Associate Professor of Italian at Duke University. She is the author of The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto. She is editor of Renaissance Transactions: Ariosto and Tasso and coeditor of Generation and Degeneration: Tropes of Reproduction in Literature and History from Antiquity to Early Modern Europe, both published by Duke University Press.

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