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OverviewIn this book, one of Italy s most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel s claim that art has exhausted its spiritual vocation, that it is no longer through art that Spirit principally comes to knowledge of itself. He argues, however, that Hegel by no means proclaimed the death of art (as many still imagine) but proclaimed rather the indefinite continuation of art in what Hegel called a self-annulling mode. With astonishing breadth and originality, the author probes the meaning, aesthetics, and historical consequences of that self-annulment. In essence, he argues that the birth of modern aesthetics is the result of a series of schisms between artist and spectator, genius and taste, and form and matter, for example that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony. Full Product DetailsAuthor: Giorgio Agamben , Georgia AlbertPublisher: Stanford University Press Imprint: Stanford University Press Dimensions: Width: 12.70cm , Height: 1.80cm , Length: 20.40cm Weight: 0.305kg ISBN: 9780804735537ISBN 10: 0804735530 Pages: 144 Publication Date: 01 June 1999 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |
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