The Madness of Vision: On Baroque Aesthetics

Author:   Christine Buci-Glucksmann ,  Dorothy Z. Baker
Publisher:   Ohio University Press
ISBN:  

9780821420935


Pages:   184
Publication Date:   27 January 2014
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Our Price $76.43 Quantity:  
Add to Cart

Share |

The Madness of Vision: On Baroque Aesthetics


Add your own review!

Overview

Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image-Arabic script, Bettini's u201cThe Eye of Cardinal Colonna,u201d Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's selfportrait, among others-and deftly crosses historical, national, and artistic boundaries to address Graciu00e1n's El Criticu00f3n; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.

Full Product Details

Author:   Christine Buci-Glucksmann ,  Dorothy Z. Baker
Publisher:   Ohio University Press
Imprint:   Ohio University Press
Dimensions:   Width: 15.20cm , Height: 1.10cm , Length: 22.90cm
Weight:   0.295kg
ISBN:  

9780821420935


ISBN 10:   0821420933
Pages:   184
Publication Date:   27 January 2014
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Author Information

Christine Buci-Glucksmann is a philosopher, professor emerita of the University of Paris VIII, and the author of many books in the fields of political philosophy, aesthetics, contemporary art, the baroque, ornament, Asian art, and virtual art. Her most recent works include Esthétique de l’éphémère (2003), Au-delà de la mélancholie (2005), Philosophie de l’ornement: D’Orient en Occident (2008), and Une femme philosophe (2008). Two of her books have previously been translated into English: Gramsci and the State (1980) and Baroque Reason: The Aesthetics of Modernity (1994). Dorothy Z. Baker is professor emerita of the University of Houston, the author of Mythic Masks in Self-Reflexive Poetry and America’s Gothic Fiction and the editor of Poetics in the Poem and The Silent and Soft Communion. She has translated the poetry of Pierre Reverdy and Armand Robin.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

Aorrng

Shopping Cart
Your cart is empty
Shopping cart
Mailing List