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OverviewFull Product DetailsAuthor: Giulia Torello-Hill , Andrew J. TurnerPublisher: Brill Imprint: Brill Volume: 11 Weight: 0.646kg ISBN: 9789004362451ISBN 10: 9004362452 Pages: 296 Publication Date: 22 October 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsPreface List of Figures Abbreviations Note on Illustrations and the Use of Electronic Resources Introduction 1 The Lyon Terence and Its Initial Impact 1.1 Contents and mise-en-page 1.2 Publishing in Lyon 1.3 Composition, Printing, and Distribution 2 Terence's Plays: Commentary and Illustration from Manuscript to Print 2.1 Terence as an Educational Classic: Text and Commentary from Antiquity to Medieval and Renaissance Europe 2.2 The Development of Manuscript Illustrations of Terence 2.3 The Impact of New Learning and Technologies: Donatus and the Advent of Printing The Editor of the Lyon Terence: Jodocus Badius Ascensius 3.1 Badius 3.2 Early Life and Literary Career to 1493 3.2.1 Flanders and Brabant 3.2.2 Italy 3.2.3 Lyon 3.3 Later Career to 1502 4 Text and Commentary in Badius' Three Editions of Terence 4.1 The 1491 Edition and Donatus 4.2 The Lyon Terence: the Commentary of Guy Jouenneaux and Badius' Revisions 4.2.1 The Commentary Edition of Guy Jouenneaux 4.2.2 Badius' Re-edition of Guy 4.3 The 1502 Terence and Its Sources 5 The Illustrative Programme of the 1493 Edition 5.1 Badius' Appropriation of the Carolingian Tradition 5.2 Gestures in Medieval and Early Modern Culture 5.3 Carolingian Gestures 5.4 Non-Carolingian Gestures 5.4.1 Manly Gestures 5.4.2 Female Gestures 5.4.3 Affective Gestures 5.5 Characterization through Costuming 5.6 Gestures, Illustrations and Commentary Derivative of Donatus in the Lyon Terence 5.7 The Illustrator of the Lyon Terence Appendix: A Catalogue of Gestures 6 The Theatricality of the Lyon Terence 6.1 The Lyon Terence and Performance 6.2 Stage Design: the Lyon Terence and the Representation of Theatre Buildings 6.3 The Stage 6.4 Stage Conventions 6.4.1 Entrances and Exits 6.4.2 Asides, Eavesdropping, and Off-stage Scenes 6.5 Terence on Stage in Renaissance Italy and France 7 The Legacy of the Lyon Terence in the Sixteenth Century 7.1 Terence in Print in Late Fifteenth and Sixteenth Century 7.2 The Venetian Illustrated Editions of Terence of Lazzaro de' Soardi 7.3 The Italian Illustrated Editions of the Sixteenth Century 7.4 The Influence of the Lyon Terence in Germany: the Illustrated Terence of Johann Gruninger and Its Tradition 7.5 The French Tradition of Terence after 1493 7.6 Conclusion Conclusion Bibliography Index Locorum Index of Manuscripts Index of Subjects Concordance of Images in the Lyon Terence IllustrationsReviewsThis (study) makes us not only grateful for what it teaches but eager to know still more. Sander M. Goldberg, UCLA, in: Bryn Mawr Classical Review 2021.12.18 Author InformationGiulia Torello-Hill (Ph.D. Nottingham, 2006) is a Lecturer in Italian at the University of New England. Her research explores the interplay between exegesis of ancient texts, iconographic tradition and performance practice in Renaissance Italy. Andrew J. Turner (Ph.D. Melbourne, 2000) is a researcher at the University of Melbourne, where he lectures on Latin literature. He has published on the reception of Terence and Sallust, and is at present examining late medieval commentaries on Seneca. Tab Content 6Author Website:Countries AvailableAll regions |
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