The Living Image in the Middle Ages and Beyond: Theoretical and Historical Approaches

Author:   Kamil Kopania (A. Zelwerowicz National Academy of Dramatic Art, Poland) ,  Henning Laugerud (University of Bergen, Norway) ,  Zuzanna Sarnecka (University of Warsaw, Poland)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032701073


Pages:   230
Publication Date:   25 February 2025
Format:   Hardback
Availability:   In Print   Availability explained
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The Living Image in the Middle Ages and Beyond: Theoretical and Historical Approaches


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Author:   Kamil Kopania (A. Zelwerowicz National Academy of Dramatic Art, Poland) ,  Henning Laugerud (University of Bergen, Norway) ,  Zuzanna Sarnecka (University of Warsaw, Poland)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.607kg
ISBN:  

9781032701073


ISBN 10:   1032701072
Pages:   230
Publication Date:   25 February 2025
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Part I: Principles of Animation 1. Four Fundamental Concepts of Animation: Mechanical and Organic, Supernatural and Phenomenological 2. Screen, Window, Door: Three Devices to Understand Animation in the Middle Ages 3. ‘To Which the Crucifix Replied’: The Phenomenology of The Animate Image 4. Mary, Matter, Mother: Re-Thinking the Living Image Through Animism and Materiality in Moments of Crisis, Ritual, and Devotion Part II: Medieval and Early Modern Animation 5. Blood, Peace, and Cinnabar: Animated Crucifixes and the Bianchi Devotions of 1399 6. Guillaume de Lorris and the Speaking Image: Ekphrasis, Prospopoeia, and Poetic Creation 7. Ealy Prints in Motion 8. “I Carve My Figures Fine and Make Them Come to Life”: The Animation of Late Medieval Kleinplastik 9. Clothes as Animation Devices: Miracle-Working Images, Enshrinement, and the Production of Matter in Early Modern Portugal Part III: Animated Tradition(s) 10. Motion and Emotion: Flying Baptismal Angels in Scandinavia 11. Playing (with) Puppets: Jigging Puppets from the Middle Ages to the 20th Century 12. Thinking with a Figure: Different ways of Animating Sculptures of Saints in Polish Puppet Theatre at the End of the 20th Century

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Author Information

Kamil Kopania is Assistant Professor at the A. Zelwerowicz National Academy of Dramatic Art in Warsaw, Poland. Henning Laugerud is Professor at the University of Bergen, Norway. Zuzanna Sarnecka is SNSF Ambizione Senior Research Fellow at the Institute of Art History at the University of Bern, Switzerland.

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