Overview

This book is a study of how African slave and freed women used their fashion and style of dressing as a symbol of resistance to slavery and accommodation to white culture in pre and post-emancipation society. Africans brought aspects of their culture such as folklore, music, language, religion and dress with them to the Americas. The African cultural features were retained and nurtured in Jamaica because they guaranteed the survival of Africans and their descendants against European attempts at cultural annihilation. This book illuminates the complexities of accommodation and resistance, showing that these complex responses are not polar opposites, but melded into each other. In addition, the Language of Dress reveals the dynamics of race, class and gender in Jamaican society, the role of women in British West Indian history and contributes to ongoing interest in the history of women and in the history of resistance.

Full Product Details

9789766401436

Table of Contents

Reviews

"""An excellent study that focuses on an essential aspect of Jamaican material culture and cultural/social history.... It gives voice, agency, identity and space to colonized women.""-Professor Verene Shepherd, University of the West Indies, Jamaica; ""The author has made extensive use of the available secondary material and has made extensive use of interviews in Jamaica and on the African continent itself. All this has been woven into a well-illustrated and well-written narrative. The material is handled with commendable sensitivity, and the history and meaning of women's dress have been effectively woven into the fabric of the larger Jamaican historical narrative.""-Professor Patrick Bryan, University of the West Indies, Jamaica"""

An excellent study that focuses on an essential aspect of Jamaican material culture and cultural/social history.... It gives voice, agency, identity and space to colonized women. -Professor Verene Shepherd, University of the West Indies, Jamaica; The author has made extensive use of the available secondary material and has made extensive use of interviews in Jamaica and on the African continent itself. All this has been woven into a well-illustrated and well-written narrative. The material is handled with commendable sensitivity, and the history and meaning of women's dress have been effectively woven into the fabric of the larger Jamaican historical narrative. -Professor Patrick Bryan, University of the West Indies, Jamaica

Author Information

Steeve O. Buckridge is Assistant Professor of History, Department of History, Grand Valley State University.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available