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The Island of Doctor Moreau is an 1896 science fiction novel by English author H. G. Wells. The text of the novel is the narration of Edward Prendick, a shipwrecked man rescued by a passing boat who is left on the island home of Doctor Moreau, a mad scientist who creates human-like hybrid beings from animals via vivisection. The novel deals with a number of philosophical themes, including pain and cruelty, moral responsibility, human identity, and human interference with nature.[2] Wells described it as an exercise in youthful blasphemy. [3] The Island of Doctor Moreau is a classic of early science fiction[4] and remains one of Wells' best-known books. The novel is the earliest depiction of the science fiction motif uplift in which a more advanced race intervenes in the evolution of an animal species to bring the latter to a higher level of intelligence.[5] It has been adapted to film and other media on many occasions, with Charles Laughton (1933), Burt Lancaster (1977), and Marlon Brando (1996) as the mad doctor. The Island of Doctor Moreau is the account of Edward Prendick, an Englishman with a scientific education who survives a shipwreck in the southern Pacific Ocean. A passing ship called Ipecacuanha takes him aboard, and a man named Montgomery revives him. Prendick also meets a grotesque bestial native named M'ling, who appears to be Montgomery's manservant. The ship is transporting a number of animals which belong to Montgomery. As they approach the island, Montgomery's destination, the captain demands Prendick leave the ship with Montgomery. Montgomery explains that he will not be able to host Prendick on the island. Despite this, the captain leaves Prendick in a dinghy and sails away. Seeing that the captain has abandoned Prendick, Montgomery takes pity and rescues him. As ships rarely pass the island, Prendick will be housed in an outer room of an enclosed compound. The island belongs to Dr. Moreau. Prendick remembers that he has heard of Moreau, formerly an eminent physiologist in London whose gruesome experiments in vivisection had been publicly exposed, and who fled England as a result of his exposure. The next day, Moreau begins working on a puma. Prendick gathers that Moreau is performing a painful experiment on the animal, and its anguished cries drive Prendick out into the jungle. While he wanders, he comes upon a group of people who seem human but have an unmistakable resemblance to swine. As he walks back to the enclosure, he suddenly realises he is being followed by a figure in the jungle. He panics and flees, and the figure gives chase. As his pursuer bears down on him, Prendick manages to stun him with a stone and observes the pursuer is a monstrous hybrid of animal and man. When Prendrick returns to the enclosure and questions Montgomery, Montgomery refuses to be open with him. After failing to get an explanation, Prendick finally gives in and takes a sleeping draught.

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Herbert George Wells (21 September 1866 - 13 August 1946) was an English writer. He was prolific in many genres, writing dozens of novels, short stories, and works of social commentary, satire, biography, and autobiography, and even including two books on recreational war games. He is now best remembered for his science fiction novels and is often called a father of science fiction, along with Jules Verne and Hugo Gernsback.[5][6][a] During his own lifetime, however, he was most prominent as a forward-looking, even prophetic social critic who devoted his literary talents to the development of a progressive vision on a global scale. A futurist, he wrote a number of utopian works and foresaw the advent of aircraft, tanks, space travel, nuclear weapons, satellite television and something resembling the World Wide Web.[7] His science fiction imagined time travel, alien invasion, invisibility, and biological engineering. Brian Aldiss referred to Wells as the Shakespeare of science fiction.[8] Wells rendered his works convincing by instilling commonplace detail alongside a single extraordinary assumption - dubbed Wells's law - leading Joseph Conrad to hail him in 1898 as O Realist of the Fantastic!.[9] His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), The War of the Worlds (1898) and the military science fiction The War in the Air (1907). Wells was nominated for the Nobel Prize in Literature four times.[10] Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context.[11] He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he sometimes indicated on official documents that his profession was that of journalist.[12] Novels such as Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion that he was a worthy successor to Charles Dickens, [13]but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. A diabetic, Wells co-founded the charity The Diabetic Association (known today as Diabetes UK) in 1934

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