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OverviewStephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole. Full Product DetailsAuthor: Professor Lesley Brill (Wayne State University, USA)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 15.20cm , Height: 1.60cm , Length: 22.90cm Weight: 0.535kg ISBN: 9781501320330ISBN 10: 1501320335 Pages: 272 Publication Date: 11 August 2016 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsI. Introduction 1. General Introduction 2. A brief biography of Stephen Frears 3. Frears on Direction 4. Auteur Malgré Lui II. Analyses 1. Unclassifiable Love (My Beautiful Laundrette, Sammy and Rosie Get Laid, Dirty Pretty Things) 2. Love, Power, and Pleasure (Dangerous Liaisons, Chéri) 3. Love, Media, and Memory (The Queen, Philomena) 4. Children and Families (The Snapper, Liam) 5. Mary Reilly Film/videography Select Bibliography IndexReviewsThis is a valuable and stimulating study of a major director who until now has eluded sustained critical attention. Frears once said that he always made films in order to learn things; this book is the place to start if you want to learn about Frears. Neil Sinyard, Emeritus Professor of Film Studies, University of Hull, UK Can a case be made for the consistently inconsistent Stephen Frears, who's staunchly maintained, I'm just the bloke who gets hired, as a cinematic auteur? Armed with a formidable appreciation of Frears's direction of performers, an exquisite sensitivity to his visual design, and a deep sympathy with his representations of love in its many varieties, Lesley Brill presents compelling evidence why audiences who have enjoyed films as different as My Beautiful Laundrette, Dangerous Liaisons, The Queen, and Philomena can profit from closer attention to the endlessly resourceful ironist behind them all. Thomas Leitch, Professor, Department of English, University of Delaware, USA Lesley Brill demonstrates once again why he ranks among the most incisive and articulate of auteur critics. This study of Stephen Frears provides a thorough, well-argued, and persuasive account of one of world cinema's most important practicing directors. --R. Barton Palmer, Calhoun Lemon Professor of Literature, Director of Film Studies, Department of English, Clemson University, USA, and author of Joel and Ethan Cohen This is a valuable and stimulating study of a major director who until now has eluded sustained critical attention. Frears once said that he always made films in order to learn things; this book is the place to start if you want to learn about Frears. Neil Sinyard, Emeritus Professor of Film Studies, University of Hull, UK Author InformationLesley Brill is Professor of English and Film Studies at Wayne State University, USA, and former Chair of the English Departments of Wayne State and the University of Colorado, Boulder, USA. He has published articles on film, literature, and photography, along with three books on film: The Hitchcock Romance (1988), John Huston’s Filmmaking (1996), and Crowds, Power, and Transformation in Cinema (2006). Tab Content 6Author Website:Countries AvailableAll regions |