Overview

The Home and the World is a classic volume by Rabindranath Tagore tells the story of Bimala and her husband Nikhil and a political activist named Sandip. The story is told from the perspectives of these three people and foretells foreshadows the separation of India and Pakistan in 1947. The novel is set in early 20th century India. The story line coincides with the National Independence Movement taking place in the country at the time, which was sparked by the Indian National Congress. There were various national and regional campaigns with both militant and non-violent ideas which all had the common goal of ending British colonial rule. Militant nationalism had a strong showing in the early part of the 20th century, especially during the World War I period. Some examples of this movement are the Indo-German Pact and the Ghadar Conspiracy, both of which failed. Particularly important to the novel is an understanding of the Swadeshi movement as a part of the Indian Nationalist Movement. The Swadeshi movement started in response to the 1905 Partition of Bengal by Viceroy Lord Curzon, which temporarily separated Hindus and Muslims into different geographical areas. The Swadeshi movement was a successful resistance policy against British colonisation. Indian citizens were encouraged to boycott British goods to foster Indian identity and independence. This movement was important in fostering the new spirit in India, and separating India from Britain, which was largely thought to be responsible for the subsequent widespread poverty. Family structures in traditional India consists of not only the nuclear family but also grandparents, parents-in-law, and unmarried sisters-in-law as well. Though the joint-family is linked to ancient India, it is still prevalent in modern-day India

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Rabindranath Tagore, was a polymath, poet, musician, and artist from the Indian subcontinent. He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the profoundly sensitive, fresh and beautiful verse of Gitanjali, he became in 1913 the first non-European to win the Nobel Prize in Literature.[7] Tagore's poetic songs were viewed as spiritual and mercurial; however, his elegant prose and magical poetry remain largely unknown outside Bengal.[8] He is sometimes referred to as the Bard of Bengal.[9] A Brahmo Hindu from Calcutta with ancestral gentry roots in Burdwan District[10] and Jessore, Tagore wrote poetry as an eight-year-old.[11] At the age of sixteen, he released his first substantial poems under the pseudonym Bhanusimha (Sun Lion), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent anti-nationalist, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University. Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed-or panned-for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work

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