Overview

The book is divided into six sections, each of which includes brief interviews with key experts. The first two deal with the main areas of musical activity - live performance and recording. Section three explains other aspects of musical activity while section four gets down to the nitty-gritty of the business aspects of making music. Section five summarizes the whole area through some well-chosen real life examples of independent musical activity. Finally, a toolkit section will provide examples of key documents (recording contracts, PRS membership agreements, etc) and other relevant data.

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9780826447005

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.. . The duo have compiled a wealth of insider knowledge into a quick, easy read designed to help you get your foot, arm or head in the door. Intended for the absolute newbie and semi-experienced novice alike, this handy [i]' manual will put you several years ahead of the game... You too can speak the slang of the savvy in the music business with The Guerilla Guide to the Music Business, by Sarah Davis and David Laing. The duo have compiled a wealth of insider knowledge into a quick, easy read designed to help you get your foot, arm or head in the door. Intended for the absolute newbie and semi-experienced novice alike, this handy lil' manual will put you several years ahead of the game .The Guerilla Guide will stockpile your gray matter with in-the-know tidbits, giving you the confidence to talk shop over drinks with promoters, producers and DJs alike .Drawing mightily on the expertise of professionals involved in many different areas of the biz, Davis and Laing create a well-rounded mosaic of modern musicdom .Yes, GG is a sacred tome. BPM

.. . The duo have compiled a wealth of insider knowledge into a quick, easy read designed to help you get your foot, arm or head in the door. Intended for the absolute newbie and semi-experienced novice alike, this handy [i]' manual will put you several years ahead of the game...

You too can speak the slang of the savvy in the music business with The Guerilla Guide to the Music Business, by Sarah Davis and David Laing. The duo have compiled a wealth of insider knowledge into a quick, easy read designed to help you get your foot, arm or head in the door. Intended for the absolute newbie and semi-experienced novice alike, this handy lil' manual will put you several years ahead of the game .The Guerilla Guide will stockpile your gray matter with in-the-know tidbits, giving you the confidence to talk shop over drinks with promoters, producers and DJs alike .Drawing mightily on the expertise of professionals involved in many different areas of the biz, Davis and Laing create a well-rounded mosaic of modern musicdom .Yes, GG is a sacred tome. <br>--BPM

Author Information

Sarah Davis has worked in most areas of the music business over the past decade - as a gigging and recording musician, as a partner in a independent record label, in public relations, and as a journalist contributing to Melody Maker, Music Week, Songplugger and Future Music. Dave Laing is a Research Fellow at the University of Westminster where he conducts research on the music industry. He is on the editorial board of the forthcoming Encyclopaedia of Popular Music of the World and is the author of several books on popular music and a former editor of Music Week. Matthew Moore has been Music Programmer for the radio station WSPN 91.1 FM and a local representative for American major labels Elektra and Thrive (representing, for example, Paul Oakenfold, Sasha and John Digweed, The Cure, Stereolab, Metallica and Bjork). His experience in sound engineering has brought him from the studio to dance music clubs and rock venues, to the radio and back again, lending some insight into the gigging experience in America. Simon Keliman has worked at WKCO 91.9 FM in Ohio as a hiphop music director, assistant engineer and disk jockey. He contacted labels, reviewed new releases and helped with programming and had weekly and bi-weekly radio shows featuring hiphop, electronica and funk music. He hosted a monthly series of 'live-mix' shows featuring both US and UK disk jockeys and helped organise and promote several hiphop and rock music concerts. Murdoch McBride has written about the music business since 1984 and has contributed to Cash Box, Music Connection, Performance, BAM, Back Stage, Hits, MBI and the Hollywood Reporter. He has also edited Song Talk for the National Academy of Songwriters and ASCAP PlayBack and published his own trade magazine, Songwriter's Weekly. He currently writes and edits business news for Playbill On-Line.

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