The Grass Shall Grow: Helen Post Photographs the Native American West

Author:   Mick Gidley
Publisher:   University of Nebraska Press
ISBN:  

9781496216205


Pages:   184
Publication Date:   01 February 2020
Format:   Hardback
Availability:   In Print   Availability explained
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The Grass Shall Grow: Helen Post Photographs the Native American West


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Author:   Mick Gidley
Publisher:   University of Nebraska Press
Imprint:   University of Nebraska Press
ISBN:  

9781496216205


ISBN 10:   1496216202
Pages:   184
Publication Date:   01 February 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Figures Preface and Acknowledgments A Note on the Figures Prologue 1. Introducing Helen Post 2. Creating a Read-and-See Book 3. Peopling Post’s Pictures 4. Photographing a New Deal for the Indians Conclusion Notes Photograph and Figure Credits Index

Reviews

Gidley's book brings to light important work by a talented photographer who has been largely lost to history until now. It is a valuable addition to scholarship on photography of Native Americans, the Great Plains, and the New Deal era. -Cara A. Finnegan, Great Plains Quarterly The Grass Shall Grow will be interesting to a wide variety of readers, with an accessible narrative a fascinating images. -Rachel McLean Sailor, South Dakota History Scholars whose work touches on photographic representation, the New Deal era, or the federal-tribal relationship will find much useful information in this work. -Angela Parker, Native American and Indigenous Studies I just finished reading The Grass Shall Grow: Helen Post Photographs the Native American West, and I am delighted with Mick Gidley's interpretation of my mother's work. It really cements Helen Post's place in twentieth century photographic history. I am a very special audience for this book, because I am deeply personally invested in the documentation of my mother's place in photography, and because I know so much about many of the characters and history embodied in it. But my knowledge is incomplete, it is like a big jigsaw puzzle with missing pieces. I have gleaned much of the history of her assignments photographing Native Americans from the surviving prints, negatives and paper records, the bulk of which I gave to the Amon Carter Museum, and from her fragmentary reminiscences told over the years. Yet I could never have assembled it into a coherent whole as Dr. Gidley did with his extensive research. For that I am deeply grateful. I will recommend it to all our friends who remember Helen and are interested in her work. Congratulations on the publication of a very welcome work! And I might add, it is very well written and was a pleasure to read. -Peter Modley, son of Helen Post (Modley) The Grass Shall Grow resurrects the work of photographer Helen Post, an important if little-known photographer, whose work in Indian Country during the late 1930s and early 1940s complements the better known-work by photographers connected to the Farm Security Administration (FSA). Focusing on sites overlooked by the FSA, Post pictured communities from Arizona to Montana. In Gidley's book she finally gets her due as an independent woman, well informed about Indian policy, who sought to capture a respectful and empathetic image of Native life during the Great Depression. -Martha A. Sandweiss, professor of history at Princeton University and author of Print the Legend: Photography and the American West


The Grass Shall Grow resurrects the work of photographer Helen Post, an important if little-known photographer, whose work in Indian Country during the late 1930s and early 1940s complements the better known-work by photographers connected to the Farm Security Administration (FSA). Focusing on sites overlooked by the FSA, Post pictured communities from Arizona to Montana. In Gidley's book she finally gets her due as an independent woman, well informed about Indian policy, who sought to capture a respectful and empathetic image of Native life during the Great Depression. -Martha A. Sandweiss, professor of history at Princeton University and author of Print the Legend: Photography and the American West -- Martha A. Sandweiss


Author Information

Mick Gidley is an emeritus professor of American literature and culture at the University of Leeds. He is the author or editor of numerous books, including Edward S. Curtis and the North American Indian, Incorporated; Photography and the USA; and Edward S. Curtis and the North American Indian Project in the Field (Nebraska, 2003).  

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