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OverviewEssays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field. Sarah Kay is one of the most influential medievalists of the past fifty years, making vital, theoretically informed interventions on material from early medieval chansons de geste, through troubadour lyric, to late medieval philosophy and poetry, in French, Occitan, Latin, and Italian. This volume in her honour is organised around her six major monographs, published between 1990 and 2017. Its essays engage in critical, constructive dialogue with different aspects of Kay's work, and envisage how these might shape medieval French as a discipline in coming years or decades. The subject matters demonstrate the richness of the discipline: animal studies, musicology, temporality, the material turn, medieval textuality, feminism, queer theory, voice, medieval and modern intellectual formations, psychoanalysis, philology, visual arts, transversal criticism, the literary object, affect, rhetoric, body, the past, modern responses to medieval forms and tropes, non-Christian texts and thought-patterns, politics. Reiterating Kay's engagement with medieval literature's complex philosophical debates and analytical scrutiny of human knowledge and affect, they follow her in emphasising how the pleasure of reading medieval literature depends crucially on that literature's intellectual robustness. These essays shed new light on a range of canonical and less well-known medieval texts and artefacts, to present a fresh perspective on the field of medieval studies. Full Product DetailsAuthor: Professor Jane Gilbert , Miranda Griffin , Professor Jane Gilbert , Miranda GriffinPublisher: Boydell & Brewer Ltd Imprint: D.S. Brewer Dimensions: Width: 15.60cm , Height: 3.10cm , Length: 23.40cm Weight: 0.001kg ISBN: 9781843845959ISBN 10: 1843845954 Pages: 402 Publication Date: 21 May 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction - Jane Gilbert and Miranda Griffin Third Gender Solace - William Burgwinkle Troubadour Selves under Debate - Miriam Cabré 'Je tiens ma personne morte': Subjectivity in Fifteenth-Century Courtly Poetry - Helen J. Swift 'He wishes that everyone were leprous like him': Infectious Counternarratives in Ami et Amile - Charlie Samuelson Feminism-plus: Sarah Kay's The 'Chansons de geste' in the Age of Romance: Political Fictions and the 'Roman de' Waldef' - Jocelyn Wogan-Browne Connected literature: Chansons de geste, Burgundian livres de gestes, and the Writing of Literary Theory Today - Zrinka Stahuljak Finding Contradiction in Guiraut Riquier - Susan Boynton At the Bleeding Edge of Courtly Love - Joseph R. Johnson Logic, Meaning, and Imagination - Virginie Greene Places of Thought: Environment, Perception, and Textual Identity in Medieval Vernacular Manuscripts - Stephen G. Nichols The Disembodied Tongue; or, The Place of the Book in the Livre de la Cité des dames - Christine Bourgeois The Place of Pain: Confronting the Trauma and Complexity of Kingship in the Political Dream Narrative - Deborah McGrady Quoting Lyrics and Subjectivities in the Chastelaine de Vergy - Sophie Marnette Troubadour Attachments - Emily Kate Price Forms of Repetition: Sestinas in the Twenty-First Century - Simone Ventura Between Skin(s), Between Faiths: Caesura, Animality and Comedy in Thirteenth-Century Christian-Jewish Relations - James R. Simpson Rupturing Skin through the Power of Vox - Elizabeth Eva Leach Sheep, Elephants, and Marco Polo's Devisement du monde - Sharon Kinoshita Afterword - Simon Gaunt and Peggy McCracken General Bibliography Bibliography of work by Sarah KayReviewsThe range and ambition of Sarah Kay's ground-breaking work is reflected in this Festschrift, which demonstrates the richness of medieval French scholarship and indicates how central Kay's work has been to its development in the anglophone world. -- FRENCH STUDIES Author InformationJANE GILBERT is Professor of Medieval Literature and Critical Theory at University College London, UK. MIRANDA GRIFFIN is University Lecturer in Medieval French at the University of Cambridge and a Fellow of Murray Edwards College. JANE GILBERT is Professor of Medieval Literature and Critical Theory at University College London, UK. MIRANDA GRIFFIN is University Lecturer in Medieval French at the University of Cambridge and a Fellow of Murray Edwards College. ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries. Tab Content 6Author Website:Countries AvailableAll regions |