Overview

Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society. This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case exploits specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time. Initiated as a seminar at the Harvard University Graduate School of Design. Farshid Moussavi is a partner in leading London-based firm Foreign Office Architects.

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Reviews

A A primer for the digital age, with Foreign Office Architects' Farshid Moussavi demonstrating how the computer is as fine a form generator as any pattern book. Wallpaper Magazine A return to architectural research as drawing. Archinect A thoroughly- and beautifully-illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. Archidose A remarkable array of forms. Metropolis Magazine Undeniably powerful. Architect's Journal A A compelling study of affect manifest in clearly presented case studies with savy representations of various architectural techniques.A Documents A The impressive array of diagrams are extremely clear and useful... If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further.A Death By Architecture

Author Information

Farshid Moussavi is Professor in Practice in the Department of Architecture, Harvard University Graduate School of Design. Her London-based firm, Foreign Office Architects (FOA), is recognized as one of the most creative design firms in the world, deftly integrating architecture, urban design, and landscape architecture in their projects. They have produced numerous critically-acclaimed and award-winning international projects, most notably the Yokohama Ferry Terminal in Japan. Prior to establishing Foreign Office Architects (with Alejandro Zaera Polo) in London in 1992, she worked with the Renzo Piano Building Workshop in Genoa and the Office for Metropolitan Architecture in Rotterdam. Michael Kubo is Teaching Associate in Architecture at Harvard University Graduate School of Design and the US Director of ACTAR. He graduated with an M.Arch from the Harvard Graduate School of Design, and with a B.A. in Architecture from the University of Massachusetts-Amherst. With ACTAR, he is the editor of Desert America: Territory of Paradox (2006), Verb Conditioning (2005), Seattle Public Library (2005), Verb Connection and Verb Matters (2004), Phylogenesis: FOA's Ark (2003), and The Yokohama Project (2002). He previously collaborated with Rem Koolhaas and OMA / AMO as Associate Editor for the Harvard Guide to Shopping (2001), Great Leap Forward (2001), and Mutations (2000).

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