The Frontier Club: Popular Westerns and Cultural Power, 1880-1924

Author:   Christine Bold (Professor of English, Professor of English, University of Guelph)
Publisher:   Oxford University Press Inc
ISBN:  

9780199731794


Pages:   320
Publication Date:   21 February 2013
Format:   Hardback
Availability:   In stock   Availability explained
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The Frontier Club: Popular Westerns and Cultural Power, 1880-1924


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Overview

"The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and ""quality"" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation to the federal policies and cultural spaces (from exclusive gentlemen's clubs to national parks to zoos) with which it was intimately connected; the centerpiece is Owen Wister's bestselling novel The Virginian. It casts new light on nine key clubmen, both the famous and the forgotten-in addition to Wister, the network included Theodore Roosevelt, George Bird Grinnell, Silas Weir Mitchell, Henry Cabot Lodge, Madison Grant, Caspar Whitney, Winthrop Chanler, and Frederic Remington-while recovering the women on whom these men depended and without whom this version of the popular West would not exist. Bold also considers some of the costs of the frontier club formula, in terms of its impact on Indigenous peoples and its marginalization of other popular voices, including western writings by African Americans, white women, and non-elite white men. The book ends by briefly charting the frontier club's enduring impression on western movies."

Full Product Details

Author:   Christine Bold (Professor of English, Professor of English, University of Guelph)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 2.80cm , Length: 15.50cm
Weight:   0.544kg
ISBN:  

9780199731794


ISBN 10:   0199731799
Pages:   320
Publication Date:   21 February 2013
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

"List of Illustrations ; Preface ; Acknowledgements ; The Frontier Club Western: An Introduction ; Frontier Clubmen ; Vigilante Clubmen ; The Virginian ; Chapter 1: Boone and Crockett Writers ; The Boone and Crockett Club, 1893 ; Boone and Crockett Clubmen ; Theodore Roosevelt ; George Bird Grinnell ; Owen Wister ; Winthrop Chanler ; Madison Grant ; Henry Cabot Lodge ; Caspar Whitney ; Frederic Remington ; The Books of the Boone and Crockett Club ; Shaping the Voice ; Clearing the Enclave ; Writing the Frontier Club Western ; Lobbying the Federal Government ; Conclusion ; Chapter 2: Cowboys and Publishers ; A Very Proper Philadelphian ; Frontier Club Neurasthenia ; A Man's Gotta Do ... ; Aristocrats Out West ; Frontier Club Investments ; The Cheyenne Club ; Cowboys and Vigilantes ; Showdown on Publishers' Row ; Frontier Club Investments ; The Frontier Club Western and the Literary Marketplace ; Conclusion: The Frontier Club vs Alkali Ike ; Chapter 3: Women in the Frontier Club ; Frontier Club Women and Families ; The Wister Women ; Molly Wister ; Women's Space in the Frontier Club Western ; Conclusion ; Chapter 4: Jim Crow and the Western ; Wister: ""white for a hundred years"" ; Roosevelt's Rough Riders ; Remington: With the Eye of the Mind ; Black Rough Riders Redux ; Conclusion ; Chapter 5: Immigrants and ""Indians"" ; Vanishing Acts ; Immigration Restriction ; Owen Wister ; Madison Grant ; Another Hank ; American Indian Assimilation ; George Bird Grinnell ; Jack the Young Frontier Clubman ; Conclusion ; Chapter 6: Outside the Frontier Club ; Princess Chinquilla ; Cheek by Jowl ; Rewriting 1902 ; Conclusion: Frontier Club Fingerprints"

Reviews

Based on archival research as well as the rich body of secondary material pertinent to the topic, The Frontier Club adds several new layers of insight into those who produced the 'western' and those who, from the beginning, noted its serious limitations. This, too, is a story too important to ignore. Journal of American Studies


A CHOICE Outstanding Academic Title 2013 Based on archival research as well as the rich body of secondary material pertinent to the topic, The Frontier Club adds several new layers of insight into those who produced the 'western' and those who, from the beginning, noted its serious limitations. This, too, is a story too important to ignore. --Journal of American Studies Bold does a more than adequate job juggling various complex connections to wave together a book that adds to and deepens a cultural history of the American West. --Panhandle-Plains Historical Review Superbly researched and written... It is refreshing to see women, African Americans, and Native Americans getting a fair shake in Bold's tale, and to watch her pull back the curtain on the racism and brutality that informed the era... Bold vividly restores vanishing historical impact of Westerns for the benefit of contemporary readers. Summing Up: Essential. --CHOICE Fascinating and engaging... Deftly written with engaging and illuminating examples, Christine Bold's The Frontier Club is an important contribution to the history of capitalism, to the influence of social networks on historical memory, and to the history of literary representations of the American West. --H-Net Reviews The strength of this study is its integration of many facets of American culture - business, technology, health, the arts, psychology, class structure, nature, and government - into a meaniful whole represented by the cowboy. That is quite an accomplishment. --Kansas History


<br> Superbly researched and written... It is refreshing to see women, African Americans, and Native Americans getting a fair shake in Bold's tale, and to watch her pull back the curtain on the racism and brutality that informed the era... Bold vividly restores vanishing historical impact of Westerns for the benefit of contemporary readers. Summing Up: Essential. --CHOICE<p><br>


Author Information

Christine Bold is Professor of English at the University of Guelph. She is the author of Selling the Wild West, The WPA Guides and the editor of The Oxford History of Popular Print Culture: Volume Six: US Popular Print Culture 1860-1920.

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