The French Road Movie: Space, Mobility, Identity

Author:   Neil Archer
Publisher:   Berghahn Books
ISBN:  

9780857457707


Pages:   208
Publication Date:   01 November 2012
Format:   Hardback
Availability:   In Print   Availability explained
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The French Road Movie: Space, Mobility, Identity


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Overview

The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context - liberty, identity and citizenship, masculinity, femininity, border-crossing - followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.

Full Product Details

Author:   Neil Archer
Publisher:   Berghahn Books
Imprint:   Berghahn Books
Dimensions:   Width: 15.20cm , Height: 1.20cm , Length: 22.90cm
Weight:   0.449kg
ISBN:  

9780857457707


ISBN 10:   0857457705
Pages:   208
Publication Date:   01 November 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgements Note on translations Introduction: Locating the Road Movie Chapter 1. Road to Autopia: Les Valseuses and Le Plein de super Chapter 2. 'Capturing Freedom': Marginality and the Road Movie Chapter 3. No Place Like Home: Camping it Up in Drole de Felix Chapter 4. Nowhere Men: Masculinity and the Road Movie Chapter 5. From Flanerie to Glanerie : The Possibilities of a 'Feminine Road Movie' Chapter 6. Travel and the Transnational Road Movie in the Twenty-First Century Afterword: 'Welcome to France!': The Road Movie and French National Cinema Filmography Bibliography

Reviews

This is a well conceived and interesting book. The arguments combine cultural width and analytical detail, and are coherent and persuasive. There is a solid theoretical basis which is clearly explained but never intrusive. * Wendy Everett, University of Bath There is much of interest in this book and it provides some very interesting and at times innovative readings of an important body of films and of a French inflection of the road movie genre. For this it is to be commended and I certainly think a work on this topic is timely and much needed. * Lucy Mazdon, University of Southampton


Much of the discussion...in this interesting book, has useful things to say at a micro level about the contingency of the image in the digital era and the soundness of an approach that tests the limits, pitfalls and benefits of speaking of 'Frenchness' in relation to the audiovisual projection of a space that never quite seems to stand still. * Journal of Contemporary European Studies This is a well conceived and interesting book. The arguments combine cultural width and analytical detail, and are coherent and persuasive. There is a solid theoretical basis which is clearly explained but never intrusive. * Wendy Everett, University of Bath There is much of interest in this book and it provides some very interesting and at times innovative readings of an important body of films and of a French inflection of the road movie genre. For this it is to be commended and I certainly think a work on this topic is timely and much needed. * Lucy Mazdon, University of Southampton


Author Information

Neil Archer teaches Film Studies at Anglia Ruskin University. He is the author of a study guide to The Bourne Ultimatum (Auteur, 2012) and is currently undertaking long-term research into the relationship between European and American cinemas, with a particular interest in the recent films of Woody Allen.

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