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OverviewA generously illustrated overview of, and introduction to, the entirety of Godard's work as a filmmaker and video artist. Full Product DetailsAuthor: Wheeler Winston DixonPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.671kg ISBN: 9780791432853ISBN 10: 0791432858 Pages: 312 Publication Date: 13 March 1997 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsList of Illustrations Acknowledgments 1. The Theory of Production 2. The Exhaustion of Narrative 3. Jean-Pierre Gorin and the Dziga Vertov Group 4. Anne-Marie Mieville and the Sonimage Workshop 5. Fin de Cinema Filmography, 1954-1995 Works Cited List of Rental Sources About the Author IndexReviewsDixon has written an excellent book, thoroughly researched and documented and distinguished by insightful commentary and wonderful bagatelles. By performing an anatomy on the corpus of Godardian cinema, Dixon discovers not only that Godard has pronounced the death of cinema in his own films but also that the cinematic genre, medium, and discipline might well be dead. This is a momentous discovery, even though Dixon seems to concede it is polemical. This book could well be a passport to the (dis)information age, of particular value to Generation X. It is also an important commentary on the wider movement of nouvelle vague, in popular culture as well as cinema. - Paul Matthew St. Pierre, Simon Fraser University The author has written a lively, accessible book which relates Godard to current problems in film. Dixon has avoided making Godard a museum-piece figure relevant only to the sixties and seventies. He persuasively argues for the relevance of Godard's work to technological developments occurring today in cinema, television, and interactive media. He also draws on critical theory in an enlightening and accessible manner. One of the pleasures of this book is the manner in which it draws on contemporary theory to illuminate aspects of Godard's past and present work in a non-elitist manner. - Tony Williams, author of Hearths of Darkness: The Family in the American Horror Film Anyone interested in the history of European film in the last fifty years of the twentieth century needs the kind of comprehensive summing up this book provides. This is a succinct and well-balanced account of a long and distinguished career, with plausible interpretations of Godard as a man, filmmaker, and recorder of our century. - Edward T. Jones, author of Following Directions: A Study of Peter Brook """Dixon has written an excellent book, thoroughly researched and documented and distinguished by insightful commentary and wonderful bagatelles. By performing an anatomy on the corpus of Godardian cinema, Dixon discovers not only that Godard has pronounced the death of cinema in his own films but also that the cinematic genre, medium, and discipline might well be dead. This is a momentous discovery, even though Dixon seems to concede it is polemical. This book could well be a passport to the (dis)information age, of particular value to Generation X. It is also an important commentary on the wider movement of nouvelle vague, in popular culture as well as cinema."" - Paul Matthew St. Pierre, Simon Fraser University ""The author has written a lively, accessible book which relates Godard to current problems in film. Dixon has avoided making Godard a museum-piece figure relevant only to the sixties and seventies. He persuasively argues for the relevance of Godard's work to technological developments occurring today in cinema, television, and interactive media. He also draws on critical theory in an enlightening and accessible manner. One of the pleasures of this book is the manner in which it draws on contemporary theory to illuminate aspects of Godard's past and present work in a non-elitist manner."" - Tony Williams, author of Hearths of Darkness: The Family in the American Horror Film ""Anyone interested in the history of European film in the last fifty years of the twentieth century needs the kind of comprehensive summing up this book provides. This is a succinct and well-balanced account of a long and distinguished career, with plausible interpretations of Godard as a man, filmmaker, and recorder of our century."" - Edward T. Jones, author of Following Directions: A Study of Peter Brook" Author Information"Wheeler Winston Dixon is Professor of English and Chair of the Film Studies Program at the University of Nebraska, Lincoln. He is the author or editor of ten books, including Re-Viewing British Cinema and It Looks At You: The Returned Gaze of Cinema, both published by SUNY Press, and co-producer and co-director of the hour-long documentary ""Women Who Made the Movies"" (1991). His films have been screened at The Museum of Modern Art, The Whitney Museum of American Art, The Museum of the Moving Image (London), The Jewish Museum, the San Francisco Cinematheque, and elsewhere." Tab Content 6Author Website:Countries AvailableAll regions |
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