Overview

The Feast at Solhaug is the first publicly successful drama by Henrik Ibsen. It was written in 1855. Part of the strength and charm of this play as well as Ibsen's other early poetic works results from the style of the poetic form and the inherent melody of the old ballads for those who speak Scandinavian languages. The play opens on the day of the feast celebrating the third wedding anniversary of the marriage of Bengt Gauteson and Margit. Erik of Hogge, a friend of Knut Gesling, the King's sheriff, and Knut himself are seeking permission for Knut to marry Margit's sister, Signe. Knut, a warlike man, is advised that he must demonstrate peaceful ways for a year before Margit will support the marriage. They are invited to the feast, under pledge that they will be peaceful that night. They depart to look for Margit's kinsman, Gudmund Alfson, who they know to be outlawed and suspect to be nearby. Once they depart and her husband leaves, Margit speaks of her regret in marrying Bengt Gauteson, even though he was a wealthy older landowner. Her woe is captured by her phrase, I myself am the Hill-King's[1] wife!

Full Product Details

9781774416365

Table of Contents

Reviews

Author Information

Henrik Johan Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright, theatre director, and poet. As one of the founders of modernism in theatre, Ibsen is often referred to as the father of realism and one of the most influential playwrights of his time.[2] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder, and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare, [3][4] and by the early 20th century A Doll's House became the world's most performed play.[5] Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the facades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. His early poetic and cinematic play Peer Gynt, however, has also strong surreal elements.[6] Ibsen is often ranked as one of the most distinguished playwrights in the European tradition.[7] Richard Hornby describes him as a profound poetic dramatist-the best since Shakespeare.[8] He is widely regarded as the foremost playwright of the nineteenth century.[7][9] He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, Arthur Miller, James Joyce, Eugene O'Neill, and Miroslav Krleza. Ibsen was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904.[10] Ibsen wrote his plays in Danish (the common written language of Denmark and Norway during his lifetime)[11] and they were published by the Danish publisher Gyldendal. Although most of his plays are set in Norway-often in places reminiscent of Skien, the port town where he grew up-Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years. Born into a merchant family connected to the patriciate of Skien, Ibsen shaped his dramas according to his family background. He was the father of Prime Minister Sigurd Ibsen. Ibsen's dramas have a strong influence upon contemporary culture.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available