The Experience of Poetry: From Homer's Listeners to Shakespeare's Readers

Author:   Derek Attridge (Emeritus Professor, University of York)
Publisher:   Oxford University Press
ISBN:  

9780198833154


Pages:   462
Publication Date:   05 March 2019
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Experience of Poetry: From Homer's Listeners to Shakespeare's Readers


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Author:   Derek Attridge (Emeritus Professor, University of York)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.50cm , Height: 2.90cm , Length: 23.80cm
Weight:   0.910kg
ISBN:  

9780198833154


ISBN 10:   0198833156
Pages:   462
Publication Date:   05 March 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Preface Introduction PART ONE: Ancient Greece 1: Homeric Greece: Courts and Singers 2: Archaic to Classical Greece: Festivals and Rhapsodes 3: Classical Greece to Ptolemaic Alexandria: Writers and Readers PART TWO: Ancient Rome and Late Antiquity 4: Ancient Rome: The Republic and the Augustan Age 5: Ancient Rome: The Empire after Augustus 6: Late Antiquity: Latin and Greek, Private, Public, Popular PART THREE: The Middle Ages 7: Early Medieval Poetry: Vernacular Versifying 8: The Twelfth and Thirteenth Centuries: Performing Genres 9: Lyric, Romance, and Alliterative Verse in Fourteenth-Century England 10: Chaucer, Gower, and Fifteenth-Century Poetry in English PART FOUR: The English Renaissance 11: Early Tudor Poetry: Courtliness and Print 12: Late Elizabethan and Early Jacobean Poetry: The Circulation of Verse 13: Late Elizabethan and Early Jacobean Poetry: The Idea of the Poet Bibliography

Reviews

...[the volume] is of significant value to classical scholarship, encouraging as it does a contextualising of ancient engagements with this literary form, and our own study of such engagements, within a much broader cultural history of poetry...this book offers an invaluable opportunity to consider the material with which we are most familiar as set within the wider evolution of poetry as a cultural phenomenon. But perhaps more significantly, we can become aware of how our perceptions of poetry by the ancient Greeks and Romans have likely been shaped by the different forms that poetry took in subsequent centuries... it should also encourage us to approach any poetry belonging to antiquity as part of a broader cultural activity than is often acknowledged. * Emily Patterson, Bryn Mawr Classical Review *


It is bracing to follow a prominent senior scholar in his exploration of so many centuriesDLmillennia encountered not with any ex cathedra jadedness but with open enthusiasm that should immediately engage readers at every academic level. * Stephen Hinds, University of Washington, Modern Language Quarterly * Attridge's exploration is detailed and extensive as he considers how the demands of social norms and the changes in production technologies influenced the ways in which poetry might be experienced by readers and listeners. In turn, the volume will be of interest to those studying any of the time frames that it discusses as well as those interested in questions regarding the reception and transmission of literature. * John S. Garrison, Renaissance Studies * ...[the volume] is of significant value to classical scholarship, encouraging as it does a contextualising of ancient engagements with this literary form, and our own study of such engagements, within a much broader cultural history of poetry...this book offers an invaluable opportunity to consider the material with which we are most familiar as set within the wider evolution of poetry as a cultural phenomenon. But perhaps more significantly, we can become aware of how our perceptions of poetry by the ancient Greeks and Romans have likely been shaped by the different forms that poetry took in subsequent centuries... it should also encourage us to approach any poetry belonging to antiquity as part of a broader cultural activity than is often acknowledged. * Emily Patterson, Bryn Mawr Classical Review *


Author Information

Derek Attridge obtained degrees from the Universities of Natal and Cambridge and he taught at Southampton, Strathclyde, and Rutgers Universities before moving to the University of York, where is he Emeritus Professor of English and Related Literature. He is the author or co-author of fifteen books on poetic form, literary theory, and South African and Irish literature, and has edited or co-edited eleven collections on similar topics. He has held fellowships or visiting professorships in the USA, South Africa, France, Italy, Egypt, and Australia and he is a Fellow of the British Academy.

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