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OverviewMarketed as more affordable and safer than film cameras, the Kinora system, launched in 1903, was one of the first amateur filmmaking devices and represents one of the earliest attempts to create a domestic market for moving images. In The Enchanting Kinora, Elizabeth Evans examines the Kinora in its technological, industrial and socio-cultural context to explore how early attempts to domesticate moving images were configured. She closely analyses 84 previously unexamined Kinora reels, filmed using the early motion picture device between 1908-1913 and held by the Smedley Collection. These include 23 reels that were produced for public consumption and others that were meant solely for private viewing by the Smedley family. She goes on to consider the reels as material objects, examining not only their content, but also how the collection was preserved and catalogued by members of the family. Finally, she reflects on her own connection to the reels as the Smedleys’ great-granddaughter. In doing so, Evans expands our understanding of moving images’ emergence as part of a wider network of cultural practices in Edwardian Britain that featured within domestic as well as public and professional spaces. Full Product DetailsAuthor: Elizabeth Evans (University of Nottingham, UK)Publisher: Bloomsbury Publishing PLC Imprint: BFI Publishing Dimensions: Width: 15.60cm , Height: 2.00cm , Length: 23.60cm Weight: 0.760kg ISBN: 9781839026898ISBN 10: 1839026898 Pages: 256 Publication Date: 20 February 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction Part I: The Kinora in Context 1. The Kinora and its Technological and Industrial Dynamics 2. Domesticating Moving Images: Discursively Framing the Kinora PART II: Using the Kinora 3. Uncovering the Kinora’s Use: The Smedley Collection 4. The Kinora in Everyday Life: Choice, Technology and Seriality 5. Performing for the Kinora: The Mundane as Spectacle Conclusion Appendix: The Smedley CollectionReviewsThe book shines a light on the Kinora – a dazzling forgotten early moving image technology marketed for domestic use – through a never-before publicly seen collection of reels preserved by the author’s own family. -- Mario Slugan, Queen Mary University of London, UK Author InformationElizabeth Evans is Professor of Screen Cultures at the University of Nottingham, UK. She is author of Understanding Engagement in Transmedia Culture (2020) and Transmedia Television (2011). Tab Content 6Author Website:Countries AvailableAll regions |
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