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Author:   Samuel Cameron
Publisher:   Edward Elgar Publishing Ltd
Imprint:   Edward Elgar Publishing Ltd
Volume:   352
ISBN:  

9781788117548

ISBN 10:   1788117549
Pages:   768
Publication Date:   28 September 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents: Acknowledgements Introduction Samuel Cameron PART I HIT MUSIC 1. Storm Gloor (2011), 'Just How Long Is Your Fifteen Minutes ? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 2. David E. Giles (2007), 'Survival of the Hippest: Life at the Top of the Hot 100', Applied Economics, 39 (15), 1877-87 3. Ken Hendricks and Alan Sorensen (2009), 'Information and the Skewness of Music Sales', Journal of Political Economy, 117 (2), April, 324-69 4. Caroline Elliott and Rob Simmons (2011), 'Factors Determining UK Album Success', Applied Economics, 43 (30), 4699-705 5. W. Mark Crain and Robert D. Tollison (1997), 'Economics and the Architecture of Popular Music', Journal of Economic Behavior and Organization, 32 (2), February, 185-205 6. William A. Hamlen, Jr. (1994), 'Variety and Superstardom in Popular Music', Economic Inquiry, XXXII (3), July, 395-406 PART II LIVE MUSIC 7. Robert B. Ekelund, Jr. and Shawn Ritenour (1999), 'An Exploration of the Beckerian Theory of Time Costs: Symphony Concert Demand', American Journal of Economics and Sociology, 58 (4), October, 887-99 8. Peter E. Earl (2001), 'Simon's Travel Theorem and the Demand for Live Music', Journal of Economic Psychology, 22 (3), June, 335-58 9. Nancy Bertaux, Kaleel Skeirik and David Yi (2015), 'Art Music and the Economy: The Modernity Index and the Cincinnati Symphony Orchestra, 1895 to 2013', International Journal of Economics and Business Research, 9 (4), 376-92 10. Bruno S. Frey (1994), 'The Economics of Music Festivals', Journal of Cultural Economics, 18 (1), March, 29-39 11. Grant C. Black, Mark A. Fox and Paul Kochanowski (2007), 'Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005', Popular Music and Society: Record Charts, 30 (2), May, 149-72 PART III DEMAND FOR MUSIC 12. Stan J. Liebowitz (2016), 'How Much of the Decline in Sound Recording Sales is Due to File-Sharing?', Journal of Cultural Economics: Economics of Music, 40 (1), February, 13-28 13. Wilfred Dolfsma (1999), 'The Consumption of Music and the Expression of VALUES: A Social Economic Explanation for the Advent of Pop Music', American Journal of Economics and Sociology, 58 (4), October, 1019-46 14. Ercilia Garcia-Alvarez, Tally Katz-Gerro and Jordi Lopez-Sintas (2007), 'Deconstructing Cultural Omnivorousness 1982-2002: Heterology in Americans' Musical Preferences', Social Forces, 86 (2), December, 417-43 PART IV PRODUCTION OF MUSIC 15. William J. Baumol and Hilda Baumol (1994), 'On The Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18 (3), September, 171-98 16. F. M. Scherer (2001), 'The Evolution of Free-Lance Music Composition, 1650-1900', Journal of Cultural Economics, 25 (4), November, 307-19 17. Karol Jan Borowiecki and Georgios Kavetsos (2015), 'In Fatal Pursuit of Immortal Fame: Peer Competition and Early Mortality of Music Composers', Social Science and Medicine, 134, June, 30-42 18. Mark Marotto, Johan Roos and Bart Victor (2007), 'Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra', Journal of Management Studies, 44 (3), May, 388-413 19. Samuel Cameron and Alan Collins (1997), 'Transaction Costs and Partnerships: The Case of Rock Bands', Journal of Economic Behavior and Organization, 32 (2), February, 171-83 20. Cedric Ceulemans, Victor Ginsburgh and Patrick Legros (2011), 'Rock and Roll Bands, (In)complete Contracts, and Creativity', American Economic Review: Papers and Proceedings, 101 (3), May, 217-21 21. David Hesmondhalgh (1998), 'The British Dance Music Industry: A Case Study of Independent Cultural Production', British Journal of Sociology, 49 (2), June, 234-51 PART V PRICE OF MUSIC RELATED GOODS 22. Kathryn Graddy and Philip E. Margolis (2011), 'Fiddling with Value: Violins as an Investment?', Economic Inquiry, 49 (4), October, 1083-97 23. Patrick Georges and Aylin Seckin (2013), 'Black Notes and White Noise: A Hedonic Approach to Auction Prices of Classical Music Manuscripts', Journal of Cultural Economics, 37 (1), February, 33-60 24. Dennis Halcoussis and Timothy Mathews (2007), 'eBay Auctions for Third Eye Blind Concert Tickets', Journal of Cultural Economics, 31 (1), March, 65-78 25. Samuel Cameron (2008), 'E-Baying for Blood?: Noncompetitive Flexible Pricing in Entertainment Ticketing - Some Demand Side Evidence', Applied Economics, 40 (10), 1315-22 26. Samuel Cameron and Mike Reynolds (2015), 'The Value of Collecting a Particular Musical Artist: The Case of MiniDiscs', Briefing Notes in Economics, 91, September, 1-9 PART VI LABOUR MARKETS AND OWNERSHIP 27. Claudia Goldin and Cecilia Rouse (2000), 'Orchestrating Impartiality: The Impact of Blind Auditions on Female Musicians', American Economic Review, 90 (4), September, 715-41 28. Sam Cameron (2003), 'The Political Economy of Gender Disparity in Musical Markets', Cambridge Journal of Economics, 27 (6), November, 905-17 29. Jack Bishop (2005), 'Building International Empires of Sound: Concentrations of Power and Property in the Global Music Market', Popular Music and Society, 28 (4), October, 443-71 30. Ram D. Gopal, Sudip Bhattacharjee and G. Lawrence Sanders (2006), 'Do Artists Benefit from Online Music Sharing?', Journal of Business, 79 (3), May, 1503-33 31. Juan de Dios Montoro Pons and Manuel Cuadrado Garcia (2008), 'Legal Origin and Intellectual Property Rights: An Empirical Study in the Prerecorded Music Sector', European Journal of Law and Economics, 26 (2), October, 153-73 32. Samuel Cameron (2006), 'Rock, Pop and Judicial Efficiency: Economic Considerations in the Spandau Ballet Decisions', Journal of Interdisciplinary Economics, 17 (3), April, 327-44 33. Maya Bacache-Beauvallet, Marc Bourreau and Francois Moreau (2016), 'Information Asymmetry and 360-Degree Contracts in the Recorded Music Industry', Revue d'Economie Industrielle - Journal of Industrial Economics, 156 (4e trimester - 4th quarter), 57-90 34. Kieran James and Christopher Tolliday (2009), 'Structural Change in the Music Industry: A Marxist Critique of Public Statements Made by Members of Metallica during the Lawsuit against Napster', International Journal of Critical Accounting, 1 (1-2), 144-76 PART VII COMPETITIONS 35. Herbert Glejser and Bruno Heyndels (2001), 'Efficiency and Inefficiency in the Ranking in Competitions: The Case of the Queen Elisabeth Music Contest', Journal of Cultural Economics, 25 (2), May, 109-29 36. Victor A. Ginsburgh and Jan C. van Ours (2003), 'Expert Opinion and Compensation: Evidence from a Musical Competition', American Economic Review, 93 (1), March, 289-96 37. J. Atsu Amegashie (2009), 'American Idol: Should it be a Singing Contest or a Popularity Contest?', Journal of Cultural Economics, 33 (4), November, 265-77 38. Luc Champarnaud (2014), 'Prices for Superstars Can Flatten Out', Journal of Cultural Economics, 38 (4), November, 369-84 Index

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Edited by Samuel Cameron, former Professor of Economics, University of Bradford, UK

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