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9780199739646

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This collection of crucial and often hard-to-find writings will be of immense help in identifying some of the key preoccupations of documentary and dispersing some of its most persistent myths. --David MacDougall, author of The Corporeal Image: Film, Ethnography, and the Senses Kahana puts flesh to the bare bones of film history. These are essays that make the present vibrate with the steady drumbeat of a past we may not fully know but dare not entirely forget. It will serve as a standard reference for what has gone before and a powerful stimulus for what has yet to come well into the foreseeable future. --Bill Nichols, author of Introduction to Documentary, 2nd Edition Gathering such a range of thought on non-fiction film theory and practice in one volume is simply phenomenal. This is a must-read book, giving precious insight into the ideologies, trends, and evolutions of the documentary genre throughout the world, from its emergence to the present. --Jean-Marie Teno, director of Africa, I Will Fleece You (Afrique, je te plumerai) Kahana has curated a rambunctious oratorio of a reader, abundant with sharp discoveries and startling wisdom and surprising conversations across decades and borders. Every aspiring filmmaker should keep a copy in her backpack. --John Greyson, director of Fig Trees This collection of crucial and often hard-to-find writings will be of immense help in identifying some of the key preoccupations of documentary and dispersing some of its most persistent myths. --David MacDougall, author of The Corporeal Image: Film, Ethnography, and the Senses Kahana puts flesh to the bare bones of film history. These are essays that make the present vibrate with the steady drumbeat of a past we may not fully know but dare not entirely forget. It will serve as a standard reference for what has gone before and a powerful stimulus for what has yet to come well into the foreseeable future. --Bill Nichols, author of Introduction to Documentary, 2nd Edition Gathering such a range of thought on non-fiction film theory and practice in one volume is simply phenomenal. This is a must-read book, giving precious insight into the ideologies, trends, and evolutions of the documentary genre throughout the world, from its emergence to the present. --Jean-Marie Teno, director of Africa, I Will Fleece You (Afrique, je te plumerai) Kahana has curated a rambunctious oratorio of a reader, abundant with sharp discoveries and startling wisdom and surprising conversations across decades and borders. Every aspiring filmmaker should keep a copy in her backpack. --John Greyson, director of Fig Trees

This collection of crucial and often hard-to-find writings will be of immense help in identifying some of the key preoccupations of documentary and dispersing some of its most persistent myths. --David MacDougall, author of The Corporeal Image: Film, Ethnography, and the Senses Kahana puts flesh to the bare bones of film history. These are essays that make the present vibrate with the steady drumbeat of a past we may not fully know but dare not entirely forget. It will serve as a standard reference for what has gone before and a powerful stimulus for what has yet to come well into the foreseeable future. --Bill Nichols, author of Introduction to Documentary, 2nd Edition Gathering such a range of thought on non-fiction film theory and practice in one volume is simply phenomenal. This is a must-read book, giving precious insight into the ideologies, trends, and evolutions of the documentary genre throughout the world, from its emergence to the present. --Jean-Marie Teno, director of Africa, I Will Fleece You (Afrique, je te plumerai) Kahana has curated a rambunctious oratorio of a reader, abundant with sharp discoveries and startling wisdom and surprising conversations across decades and borders. Every aspiring filmmaker should keep a copy in her backpack. --John Greyson, director of Fig Trees

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Jonathan Kahana is Associate Professor of Film and Digital Media at the University of California, Santa Cruz. He is the author of Intelligence Work: The Politics of American Documentary.

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