Overview

Braddon was a prolific writer, producing more than 80 novels with inventive plots. The most famous is Lady Audley's Secret (1862), which won her recognition and a fortune as a bestseller. It has remained in print since its publication and been dramatised and filmed several times. R. D. Blackmore's anonymous sensation novel Clara Vaughan (1864) was wrongly attributed to her by some critics. Braddon wrote several works of supernatural fiction, including the pact with the devil story Gerald, or the World, the Flesh and the Devil (1891), and the ghost stories The Cold Embrace , Eveline's Visitant and At Chrighton Abbey . From the 1930s onwards, these stories were often anthologised in collections such as Montague Summers's The Supernatural Omnibus (1931) and Fifty Years of Ghost Stories (1935). Braddon also wrote historical fiction. In High Places depicts the youth of Charles I. London Pride focuses on Charles II. Mohawks is set during the reign of Queen Anne. Ishmael is set at the time of Napoleon III's rise to power. Braddon founded Belgravia magazine (1866), which presented readers with serialised sensation novels, poems, travel narratives and biographies, along with essays on fashion, history and science. It was accompanied by lavish illustrations and offered a source of literature at an affordable cost. She also edited Temple Bar magazine. There is a critical essay on Braddon's work in Michael Sadleir's book Things Past (1944). In 2014 the Mary Elizabeth Braddon Association was founded to pay tribute to Braddon's life and work. iBoo World's Classics iBoo Press House uses state-of-the-art technology to digitally reconstruct the work. We preserve the original format whilst repairing imperfections present in the aged copy. All titles are unabridged (100% Original content), designed with a nice cover, quality paper and a large font that's easy to read. Visit our web page at iboo.com/novels to see all Novels.

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Reviews

It's gripping stuff...and is relished in every dramatic plot twist by Juliet Stevenson, who enjoys keeping the listener guessing until the final revelation. The Sunday Times This impressive, scholarly new edition brings together a wealth of supplementary material, much of which is almost unobtainable elsewhere. Several fascinating appendices include contemporary parodies of the novel, extracts from stage versions, contemporary criticism and well-chosen extracts from Braddon's other work. Natalie Houston's scholarly introduction provides useful insights into Braddon's life and work. This edition will be invaluable to anyone studying or teaching the novel, or just reading it for enjoyment. - Chris Willis, Birkbeck College This intelligent edition offers a wonderful introduction not just to Lady Audley's Secret, but to the whole publishing phenomenon of sensation fiction. By emphasizing questions of alterable identity, the new Victorian culture of information, and the relationship of fiction to other media, Natalie Houston compellingly brings home the connection of this novel with many important issues today. Kate Flint Rutgers University This impressive, scholarly new edition brings together a wealth of supplementary material, much of which is almost unobtainable elsewhere. Several fascinating appendices include contemporary parodies of the novel, extracts from stage versions, contemporary criticism and well-chosen extracts from Braddon's other work. Natalie Houston's scholarly introduction provides useful insights into Braddon's life and work. This edition will be invaluable to anyone studying or teaching the novel, or just reading it for enjoyment. Chris Willis Birkbeck College

Author Information

Mary Elizabeth Braddon (4 October 1835 - 4 February 1915) was an English popular novelist of the Victorian era. She is best known for her 1862 sensation novel Lady Audley's Secret, which has also been dramatised and filmed several times. Born in London, Mary Elizabeth Braddon was privately educated. Her mother Fanny separated from her father Henry in 1840, when Mary was five. When Mary was ten years old, her brother Edward Braddon left for India and later Australia, where he became Premier of Tasmania. Mary worked as an actress for three years, when she was befriended by Clara and Adelaide Biddle. They were only playing minor roles, but Braddon was able to support herself and her mother. Adelaide noted that Braddon's interest in acting waned as she took up writing novels. In 1860, Mary met John Maxwell (1824-1895), a publisher of periodicals, and moved in with him in 1861. However, Maxwell was already married with five children, and a wife living in an mental asylum in Ireland. Mary acted as stepmother to his children until 1874, when Maxwell's wife died and they were able to get married. She had six children by him. Her eldest daughter, Fanny Margaret Maxwell (1863-1955), married the naturalist Edmund Selous on 13 January 1886. In the 1920s they lived in Wyke Castle, where Fanny founded a local branch of the Woman's Institute in 1923, of which she became the first president. The second eldest son was the novelist William Babington Maxwell (1866-1939). Mary Elizabeth Braddon died on 4 February 1915 in Richmond (then in Surrey) and is interred in Richmond Cemetery. Her home had been Lichfield House in the centre of the town, which was replaced by a block of flats in 1936, Lichfield Court, now listed. She has a plaque in Richmond parish church, which calls her simply Miss Braddon. A number of nearby streets are named after characters in her novels - her husband was a property developer in the area.

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