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OverviewRoberta Piazza's book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day. It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies. It explores the representation of discourse in cinema -- the way particular manifestations of verbal interaction are reproduced in film. Whereas 'representation' generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse. Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings. Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity. The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis. Full Product DetailsAuthor: Roberta Piazza (University of Sussex, UK) , Beatrix Busse , Szilvia Csabi , Monika FludernikPublisher: Continuum Publishing Corporation Imprint: Continuum Publishing Corporation Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.559kg ISBN: 9781441136978ISBN 10: 1441136975 Pages: 272 Publication Date: 14 February 2011 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Language: English Table of ContentsReviewsThe Discourse of Italian Cinema and Beyond joins a growing body of work that is taking forward work in stylistics by expanding not only the subject of analysis, from poetry and prose fiction to film and television, but also the set of methods in acknowledging the visual alongside the verbal. While Piazza herself is modest in speculating how her investigation might contribute to the study of film within media and cultural studies, this truly interdisciplinary work is a clear contribution to both stylistics and film studies. Piazza's analyses are grounded equally well in linguistics and film theory, and this book stands as a relevant contribution to our knowledge of both discourse and the cinema. -- Susan Mandala, Department of Culture, University of Sunderland, UK * Discourse & Communication * The Discourse of Italian Cinema and Beyond joins a growing body of work that is taking forward work in stylistics by expanding not only the subject of analysis, from poetry and prose fiction to film and television, but also the set of methods in acknowledging the visual alongside the verbal. While Piazza herself is modest in speculating how her investigation might contribute to the study of film within media and cultural studies, this truly interdisciplinary work is a clear contribution to both stylistics and film studies. Piazza’s analyses are grounded equally well in linguistics and film theory, and this book stands as a relevant contribution to our knowledge of both discourse and the cinema. -- Susan Mandala, Department of Culture, University of Sunderland, UK * Discourse & Communication * Author InformationRoberta Piazza is Reader in Linguistics and English Language at the University of Sussex, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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