The Cut of Men's Clothes: 1600-1900

Author:   Norah Waugh
Publisher:   Taylor & Francis Inc
ISBN:  

9780878300259


Pages:   194
Publication Date:   07 January 1987
Format:   Hardback
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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The Cut of Men's Clothes: 1600-1900


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Overview

This book traces the evolution of the style of men's dress through a sequence of diagrams accurately scaled down from patterns of actual garments, many of them rare museum specimens. The plates have been selected with the same purpose. Some are photographs of suits for which diagrams have also been given; others, reproduced from paintings and old prints, show the costume complete with its accessories. Quotations from contemporary sources--from diaries, travelers' accounts and tailors' bills--supplement Norah Waugh's text with comments on fashion and lively eyewitness descriptions.

Full Product Details

Author:   Norah Waugh
Publisher:   Taylor & Francis Inc
Imprint:   Routledge
Dimensions:   Width: 17.80cm , Height: 1.20cm , Length: 25.40cm
Weight:   0.635kg
ISBN:  

9780878300259


ISBN 10:   0878300252
Pages:   194
Publication Date:   07 January 1987
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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Reviews

This is a practical book that gives complete plans for executing and tailoring a costume (there are 27 patterns). An invaluable aid to the student of costume design and execution. -- Choice: Books for College Libraries Most works dealing with costumes discuss the actual styles of dress and. . . the basic cut and shape--the real foundation of any costume--is not always considered. This book does much to remedy this deficiency . . . The great importance of this work is in the many detailed cutting diagrams and tailors' patterns . . . There is also a list of artists, engraves, and illustrators for costume reference. A definitive work in its field, this is required on reference shelves of art museums, large public libraries, and art schools. -- Library Journal


This is a practical book that gives complete plans for executing and tailoring a costume (there are 27 patterns). An invaluable aid to the student of costume design and execution. <br>- Choice: Books for College Libraries <br> Most works dealing with costumes discuss the actual styles of dress and. . . the basic cut and shape--the real foundation of any costume--is not always considered. This book does much to remedy this deficiency . . . The great importance of this work is in the many detailed cutting diagrams and tailors' patterns . . . There is also a list of artists, engraves, and illustrators for costume reference. A definitive work in its field, this is required on reference shelves of art museums, large public libraries, and art schools. <br>- Library Journal <br>


This is a practical book that gives complete plans for executing and tailoring a costume (there are 27 patterns). An invaluable aid to the student of costume design and execution. - Choice: Books for College Libraries Most works dealing with costumes discuss the actual styles of dress and. . . the basic cut and shape--the real foundation of any costume--is not always considered. This book does much to remedy this deficiency . . . The great importance of this work is in the many detailed cutting diagrams and tailors' patterns . . . There is also a list of artists, engraves, and illustrators for costume reference. A definitive work in its field, this is required on reference shelves of art museums, large public libraries, and art schools. - Library Journal


Author Information

Norah Waugh lectured and supervised practical work on historic costume in the Theatre Department of the Central School of Art and Design in London. In the late 1930s she was in charge of costume at the London Theatre Studio run by Michel Saint-Denis.

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