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OverviewAesthetic desire and distaste prime everyday life in surprising ways. The Cultural Promise of the Aesthetic casts much-needed light on the complex mix of meanings our aesthetic activities weave into cultural existence. Anchoring aesthetic experience in our relationships with persons, places, and things, Monique Roelofs explores aesthetic life as a multimodal, socially embedded, corporeal endeavor. Highlighting notions of relationality, address, and promising, this compelling study shows these concepts at work in visions of beauty, ugliness, detail, nation, ignorance, and cultural boundary. Unexpected aesthetic pleasures and pains crop up in sites where passion, perception, rationality, and imagination go together but also are in conflict. Bonds between aesthetics and politics are forged and reforged. Cross-disciplinary in outlook, and engaging the work of theorists and artists ranging from David Hume to Theodor W. Adorno, Frantz Fanon, Clarice Lispector, and Barbara Johnson, The Cultural Promise of the Aesthetic lays open the interpretive web that gives aesthetic agency its vast reach. Full Product DetailsAuthor: Monique Roelofs (University of Amsterdam, the Netherlands)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.581kg ISBN: 9781472530134ISBN 10: 1472530136 Pages: 288 Publication Date: 10 April 2014 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction 1. The Aesthetic, the Public, and the Promise of Culture 2. Whiteness and Blackness as Aesthetic Productions 3. The Gendered Aesthetic Detail 4. Beauty's Moral, Political, and Economic Labor 5. The Aesthetics of Ignorance 6. An Aesthetic Confrontation 7. Racialized Aesthetic Nationalism 8. Aesthetic Promises and Threats Postscript Notes Bibliography IndexReviewsMonique Roelofs's The Cultural Promise of the Aesthetic is important because it analyzes the concepts of address (as a widespread social phenomenon and a carrier of meaning) and aesthetic relationality (relations with people mediate relations with things, and relations with things mediate relations with people) and the connection between them (i.e., modes of address constitute the muscles and joints of aesthetic relationality) in ways that restore the promise of aesthetics as a promise of culture. These concepts are vital in aesthetics but also in contemporary feminism, race theory, political theory, and other areas of cultural critique intersecting with aesthetics. Often these intersections are mostly negative and aesthetics has often been left out of the picture. But if we reconceive aesthetics as Roelofs proposes, we will recognize that it is needed for cultural critique and for culture itself - hence the promise of aesthetics. Using a variety of examples from (mostly) contemporary art, Roelofs makes these points clearly and develops the key concepts of address, relationality, and promise in inspired ways. -- Michael Kelly, Professor of Philosophy, University of North Carolina at Charlotte, USA and Editor-in-Chief of the Encyclopedia of Aesthetics (2nd ed. 2014) Monique Roelof's The Cultural Promise of the Aesthetic is important because it analyzes the concepts of address (as a widespread social phenomenon and a carrier of meaning) and aesthetic relationality (relations with people mediate relations with things, and relations with things mediate relations with people) and the connection between them (i.e., modes of address constitute the muscle and joints of aesthetic relationality) in ways that restore the promise of aesthetics as a promise of culture. These concepts are vital in aesthetics but also in contemporary feminism, race theory, political theory, and other areas of cultural critique intersecting with aesthetics. Often these intersections are mostly negative and aesthetics has often been left out of the picture. But if we reconceive aesthetics as Roelof proposes, we will recognize that it is needed for cultural critique and for culture itself - hence the promise of aesthetics. Using a variety of examples from (mostly) contemporary art, Roelof makes these points clearly and develops the key concepts of address, relationality, and promise in inspired ways. -- Michael Kelly, Professor of Philosophy, University of North Carolina at Charlotte, USA and Editor-in-Chief of the Encyclopedia of Aesthetics (2nd Ed. forthcoming 2014) 20131127 Author InformationMonique Roelofs is Associate Professor of Philosophy at Hampshire College, USA. Tab Content 6Author Website:Countries AvailableAll regions |