The Critical Imagination

Author:   James Grant (Exeter College, Oxford)
Publisher:   Oxford University Press
ISBN:  

9780199661794


Pages:   206
Publication Date:   11 April 2013
Format:   Hardback
Availability:   To order   Availability explained
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The Critical Imagination


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Overview

The Critical Imagination is a study of metaphor, imaginativeness, and criticism of the arts. Since the eighteenth century, many philosophers have argued that appreciating art is rewarding because it involves responding imaginatively to a work. Literary works can be interpreted in many ways; architecture can be seen as stately, meditative, or forbidding; and sensitive descriptions of art are often colourful metaphors: music can 'shimmer', prose can be 'perfumed', and a painter's colouring can be 'effervescent'. Engaging with art, like creating it, seems to offer great scope for imagination. Hume, Kant, Oscar Wilde, Roger Scruton, and others have defended variations on this attractive idea. In this book, James Grant critically examines it. The first half explains the role imaginativeness plays in criticism. To do this, Grant answers three questions that are of interest in their own right. First, what are the aims of criticism? Is the point of criticizing a work to evaluate it, to explain it, to modify our response to it, or something else? Second, what is it to appreciate art? Third, what is imaginativeness? He gives new answers to all three questions, and uses them to explain the role of imaginativeness in criticism. The book's second half focuses on metaphor. Why are some metaphors so effective? How do we understand metaphors? Are some thoughts expressible only in metaphor? Grant's answers to these questions go against much current thinking in the philosophy of language. He uses these answers to explain why imaginative metaphors are so common in art criticism. The result is a rigorous and original theory of metaphor, criticism, imaginativeness, and their interrelations.

Full Product Details

Author:   James Grant (Exeter College, Oxford)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 15.70cm , Height: 1.60cm , Length: 22.70cm
Weight:   0.418kg
ISBN:  

9780199661794


ISBN 10:   0199661790
Pages:   206
Publication Date:   11 April 2013
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

The Critical Imagination is a well-organized and clearly written book that moves swiftly between abstract argumentation and concrete cases of art criticism. The arguments Grant uses are strong, and the views he defends are plausible, but controversial enough to be found interesting. Rafael De Clercq, Australasian Journal of Philosophy Grant's convincing analyses of the role of imagination in criticism and of metaphor make this book well worth careful study. He does invaluable work in rehabilitating critical appreciation as an activity and in describing much of its structure. Richard Eldridge, Notre Dame Philosophical Reviews


[A] very helpful resource for anyone seriously interested in art appreciation or the figurative use of language. Besides providing some of the blueprints for a fuller theory of metaphor, The Critical Imagination contains numerous small conceptual revelations capable of informing and enriching a readers encounters with art criticism. George Hull, The Philosophical Quarterly The Critical Imagination is a well-organized and clearly written book that moves swiftly between abstract argumentation and concrete cases of art criticism. The arguments Grant uses are strong, and the views he defends are plausible, but controversial enough to be found interesting. Rafael De Clercq, Australasian Journal of Philosophy Grant's convincing analyses of the role of imagination in criticism and of metaphor make this book well worth careful study. He does invaluable work in rehabilitating critical appreciation as an activity and in describing much of its structure. Richard Eldridge, Notre Dame Philosophical Reviews


Author Information

James Grant is a Tutorial Fellow of Exeter College, Oxford.

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