Awards

• Winner of <DIV>Irving Lowens Book Award, Society for American Music (SAM), 2015.</DIV> 2015

Overview

The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The ""Africanization"" of Anglo-Celtic tunes created minstrelsy's musical ""creole synthesis,"" a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.

Full Product Details

9780252080524

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Reviews

This erudite, extensively researched, and persuasively argued study sheds important new lights on the origins (especially music and movement) of American blackface minstrelsy. Highly Recommended. -- Choice The Creolization of American Culture is heavily dependent on extensive archival research, and. . . . will be invaluable to researchers. . . .It is a pleasure to read a work grounded in primary sources. -- Art Libraries Society of North America

A dazzling addition to the literature on American popular music and its history. The Creolization of American Culture is fresh, vital, compelling, and deeply pertinent to understanding a world in which we yet live. --Dale Cockrell, author of Demons of Disorder: Early Blackface Minstrels and Their World This books provides a new set of roots for minstrelsy, an intriguing look at popular culture in early American among non-elites, and an innovative method of using multiple disciplines and sources, which in many ways should be a model for historians to think about the past from different angles. --Register of the Kentucky Historical Society More than just a book about the artist William Sidney Mount, this study is also an interrogation and reinterpretation of the scholarship on minstrelsy, a topic of increasing importance in interpreting American cultural history. This outstanding piece of work advances our understanding of the black-white vernacular music and dance that took place in colonial America and the early republic. --Jeff Todd Titon, author of Early Downhome Blues Smith broadens an understanding of a vital stage in the development of American vernacular and popular culture and continues 'minstrelsy's rehabilitation' in scholarly research. --Volume ! This erudite, extensively researched, and persuasively argued study sheds important new lights on the origins (especially music and movement) of American blackface minstrelsy. Highly Recommended. --Choice The Creolization of American Culture is heavily dependent on extensive archival research, and... will be invaluable to researchers...It is a pleasure to read a work grounded in primary sources. --Art Libraries Society of North America

This erudite, extensively researched, and persuasively argued study sheds important new lights on the origins (especially music and movement) of American blackface minstrelsy. Highly Recommended. -- Choice

Author Information

Christopher J. Smith is an associate professor and chair of musicology/ethnomusicology and the director of the Vernacular Music Center at the Texas Tech University School of Music. A working musician, he also performs, records, and tours internationally with the medieval music ensemble Altramar and other bands specializing in Irish traditional music and pre-World War II blues and jazz.

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