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OverviewThe Creative Electronic Music Producer examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. Featuring case studies from across the globe on musical systems and workflows used in the production process, this book highlights how to pursue creative breakthroughs through exploration, trial and error tinkering, recombination, and transformation. The Creative Electronic Music Producer maps production's enchanting pathways in a way that will fascinate and inspire students of electronic music production, professionals already working in the industry, and hobbyists. Full Product DetailsAuthor: Thomas BrettPublisher: Taylor & Francis Ltd Imprint: CRC Press Weight: 0.453kg ISBN: 9780367900793ISBN 10: 0367900793 Pages: 164 Publication Date: 02 July 2021 Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAbout the Author List of Figures Acknowledgments Introduction: Electronic music production as infinite game Chapter 1. Electronic music production, the producer, and the enchanted DAW Chapter 2. Musical systems and production workflows Chapter 3. The Faintest Traces: beginnings, approaches, improvising, and being lost Chapter 4. Subliminal Feeling: presets and sound design Interlude: YouTube electronic music production tutorials Chapter 5. Timekeeping Ways: rhythm programming Chapter 6. Folding Back In: production disruptions Chapter 7. Levels of Detail: editing Chapter 8. Conjuring: arranging and mixing Conclusion: The push forward References Suggested Listening IndexReviewsA master class in understanding the use of production technology as an arena of musical practice. For Thomas Brett, music producers ask contextual questions that let them make appropriate sounds. In this fascinating and highly accessible account, Brett proves his skills not just as a music maker, but also as a critical thinker on the subject of production as a cultural space. More than simply offering masterful introduction to production technology, he teaches us to consider its sociological context and cultural resonances. His notion of the producer-fan helps us rethink the out-dated dichotomy that artificially separates fans from music makers, when we know those roles can and do overlap. As an academic, working like many great musicians, Brett experiments and samples widely. Yet he does more. He blends. He makes those forays into different disciplines and fields his own, creating an ongoing series of metaphors that repeatedly deliver insights on music production as a field. You could not ask for a better guide on your quest to fully understand the craft. Mark Duffett, University of Chester Author InformationThomas Brett is an electronic music producer, with a PhD in ethnomusicology from New York University. His essays and book reviews have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, and Oxford, and Cambridge University presses. He has released numerous electronic music recordings and his compositions for marimba and vibraphone have been performed internationally by soloists and university ensembles. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com. Tab Content 6Author Website:Countries AvailableAll regions |
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