The Construction of Drawings and Movies: Models for Architectural Design and Analysis

Author:   Thomas Forget
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415898393


Pages:   272
Publication Date:   27 August 2012
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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The Construction of Drawings and Movies: Models for Architectural Design and Analysis


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Full Product Details

Author:   Thomas Forget
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.660kg
ISBN:  

9780415898393


ISBN 10:   0415898390
Pages:   272
Publication Date:   27 August 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface. Introduction: Analytical and Pictorial Imagery Part 1: Construction Logic 1. The Demystification of Linear Perspective 2. The Making of a Movie Part 2: Matters of History 3. The Non-linear Progression of Linear Perspective 4. The Extents (and Limits) of Architecture-Cinema Part 3: Indeterminate Projections 5. Architectural Drawings 6. Architectural Movies. Epilogue: The Reflexivity of Architecture and Projection. Notes and Credits. Index

Reviews

Combining Alberti's theory with examples of experimental film making is a brilliant way to continue the traditions of linear perspective construction in the digital age, and to establish greater rigor and knowledge in the application of movement and time to architectural representations. Brian McGrath, associate professor, Parsons The New School for Design, New York, USA


"""Combining Alberti’s theory with examples of experimental film making is a brilliant way to continue the traditions of linear perspective construction in the digital age, and to establish greater rigor and knowledge in the application of movement and time to architectural representations."" Brian McGrath, associate professor, Parsons The New School for Design, New York, USA"


""Combining Alberti’s theory with examples of experimental film making is a brilliant way to continue the traditions of linear perspective construction in the digital age, and to establish greater rigor and knowledge in the application of movement and time to architectural representations."" Brian McGrath, associate professor, Parsons The New School for Design, New York, USA


Author Information

Thomas Forget is an assistant professor of architecture at the University of North Carolina at Charlotte, and founder of Ciotat Studio, New York.

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