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9781419727405

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Reviews

...this book tries to plot some Grand Unified Theory of Coen-ness in a definitive exploration of the Coen brothers' oeuvre. -- TheBookseller

...this book tries to plot some Grand Unified Theory of Coen-ness in a definitive exploration of the Coen brothers' oeuvre. -- TheBookseller Far from an entry-level guide to the Coens' career, this comprehensive dissection of their filmography aims to uncover a 'Grand Unified Theory Of Coen-ness'. Exploring the complexities of the duo's oeuvre with forensic attention to detail, critic Adam Nayman flags up repeating motifs and parallels, only occasionally overreaching into tenuousness. -- Total Film Nayman's essays are both entertaining and academic, analysing themes and motifs from each film, identifying recurring links between them, and tying them into cinema history - and once you start reading, it's easy to get hooked. Even the most obsessive Coen fans will come out of this appreciating their favourite films in new ways as they see details they never knew were there. -- Starburst One of the pleasures of the big, handsome, mid-to-late career monographs that Abrams Books has made a specialty (they also released books on Wes Anderson, Oliver Stone, and Martin Scorsese) is that they allow us to appreciate the minor entries of those oeuvres. Take, for example, Adam Nayman's The Coen Brothers: This Book Really Ties the Films Together (out tomorrow), which, yes, gives full analysis and appreciation to Fargo, Raising Arizona, The Big Lebowski, and No Country For Old Men. But Nayman also has plenty to say about supposedly secondary works like The Hudsucker Proxy, Burn After Reading, and, in this excerpt, the all-but-forgotten 2001 black-and-white film noir riff, The Man Who Wasn't There. -- Flavorwire ... film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre. -- Indiewire This is highly recommended for any film fan, and essential for any Coen brothers fan - let Adam Nayman show you the life of the Coen brothers' minds. -- StarburstMagazine.com The Coen Brothers can count themselves among the small list of the most extraordinary American filmmakers to ever work in the genre. And reading through The Coen Brothers: This Book Really Ties the Films Together is a testament to their talents. -- /Film

...this book tries to plot some Grand Unified Theory of Coen-ness in a definitive exploration of the Coen brothers' oeuvre. -- TheBookseller Far from an entry-level guide to the Coens' career, this comprehensive dissection of their filmography aims to uncover a 'Grand Unified Theory Of Coen-ness'. Exploring the complexities of the duo's oeuvre with forensic attention to detail, critic Adam Nayman flags up repeating motifs and parallels, only occasionally overreaching into tenuousness. -- Total Film The large-format tome, lavishly decorated with stills (including on-set panoramas by Jeff Bridges), illustrations and infographics, may suggest coffee-table fare, but there is genuine substance here. Punctuating his chronologically ordered analyses of individual movies with interviews with key collaborators (though not the Coens themselves) and five chapters charting the commercial and critical vicissitudes of the brothers' career, Nayman swiftly shows he's done his homework: he's read the books that influenced the movies, researched and considered the countless references, and checked, for example, the number of cats used in shooting Inside Llewyn Davis (2012). -- Sight & Sound magazine Nayman's essays are both entertaining and academic, analysing themes and motifs from each film, identifying recurring links between them, and tying them into cinema history - and once you start reading, it's easy to get hooked. Even the most obsessive Coen fans will come out of this appreciating their favourite films in new ways as they see details they never knew were there. -- Starburst One of the pleasures of the big, handsome, mid-to-late career monographs that Abrams Books has made a specialty (they also released books on Wes Anderson, Oliver Stone, and Martin Scorsese) is that they allow us to appreciate the minor entries of those oeuvres. Take, for example, Adam Nayman's The Coen Brothers: This Book Really Ties the Films Together (out tomorrow), which, yes, gives full analysis and appreciation to Fargo, Raising Arizona, The Big Lebowski, and No Country For Old Men. But Nayman also has plenty to say about supposedly secondary works like The Hudsucker Proxy, Burn After Reading, and, in this excerpt, the all-but-forgotten 2001 black-and-white film noir riff, The Man Who Wasn't There. -- Flavorwire Drawing heavily on his knowledge of film production methods and cinematic history and with a keen eye for the concepts that emerge and re-emerge in the Coen Brothers' work, Nayman has put together an urgent and compelling tribute to the two mild-mannered brothers from Minnesota showed us the life of the mind. The Coen Brothers; This Books Really Ties The Films Together is a must for any film buff and required reading for all the stoned bowlers and murderous insurance salesman out there. -- Film Ireland ... film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre. -- Indiewire This is highly recommended for any film fan, and essential for any Coen brothers fan - let Adam Nayman show you the life of the Coen brothers' minds. -- StarburstMagazine.com The Coen Brothers can count themselves among the small list of the most extraordinary American filmmakers to ever work in the genre. And reading through The Coen Brothers: This Book Really Ties the Films Together is a testament to their talents. -- /Film If you'd like to read more about the making of The Big Lebowski, may we recommend The Coen Brothers: This Book Really Ties the Films Together, which has just been released by Abrams -- AnOther Man It's one of those large Abrams doorstops... filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis that more than justifies their literal heavy-osity. -- Filmmaker Magazine online There's no doubt this is one of 2018's must-own books for film lovers. -- The Film Stage

"“…fans of Joel and Ethan Coen will appreciate this oversized guide to their offbeat oeuvre…” * Newsday * “...it would make a great gift for any Coen fan-boy or fan-girl in your life.” * NPR's Pop Culture Happy Hour * “..this detailed compendium is a cinephile’s delight.” * BookPage * “…a marvelous mixture of well-designed coffee table book and thoughtful analysis of a filmmaking team…” * Flavorwire * ...filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis... * Filmmaker Magazine * ""… film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre.” * Indiewire * “Packed with full page color stills, behind-the-scenes stories, interviews and insightful analysis of each film, this book will put a smile on the face of all film buffs.” * The Detroit Free Press * ...a deep dive into the Coen cinematic universe. * PureWow * “...this book is sure to please the ultimate Coen brothers fan.” * The Wichita Eagle * ...a king-sized guide to the filmmaker’s offbeat oeuvre combining critical text, biography, close film analysis, and enlightening interviews with key Coen collaborators all in one big package. * The Playlist *"

...this book tries to plot some Grand Unified Theory of Coen-ness in a definitive exploration of the Coen brothers' oeuvre. -- TheBookseller Far from an entry-level guide to the Coens' career, this comprehensive dissection of their filmography aims to uncover a 'Grand Unified Theory Of Coen-ness'. Exploring the complexities of the duo's oeuvre with forensic attention to detail, critic Adam Nayman flags up repeating motifs and parallels, only occasionally overreaching into tenuousness. -- Total Film The large-format tome, lavishly decorated with stills (including on-set panoramas by Jeff Bridges), illustrations and infographics, may suggest coffee-table fare, but there is genuine substance here. Punctuating his chronologically ordered analyses of individual movies with interviews with key collaborators (though not the Coens themselves) and five chapters charting the commercial and critical vicissitudes of the brothers' career, Nayman swiftly shows he's done his homework: he's read the books that influenced the movies, researched and considered the countless references, and checked, for example, the number of cats used in shooting Inside Llewyn Davis (2012). -- Sight & Sound magazine Nayman's essays are both entertaining and academic, analysing themes and motifs from each film, identifying recurring links between them, and tying them into cinema history - and once you start reading, it's easy to get hooked. Even the most obsessive Coen fans will come out of this appreciating their favourite films in new ways as they see details they never knew were there. -- Starburst One of the pleasures of the big, handsome, mid-to-late career monographs that Abrams Books has made a specialty (they also released books on Wes Anderson, Oliver Stone, and Martin Scorsese) is that they allow us to appreciate the minor entries of those oeuvres. Take, for example, Adam Nayman's The Coen Brothers: This Book Really Ties the Films Together (out tomorrow), which, yes, gives full analysis and appreciation to Fargo, Raising Arizona, The Big Lebowski, and No Country For Old Men. But Nayman also has plenty to say about supposedly secondary works like The Hudsucker Proxy, Burn After Reading, and, in this excerpt, the all-but-forgotten 2001 black-and-white film noir riff, The Man Who Wasn't There. -- Flavorwire Drawing heavily on his knowledge of film production methods and cinematic history and with a keen eye for the concepts that emerge and re-emerge in the Coen Brothers' work, Nayman has put together an urgent and compelling tribute to the two mild-mannered brothers from Minnesota showed us the life of the mind. The Coen Brothers; This Books Really Ties The Films Together is a must for any film buff and required reading for all the stoned bowlers and murderous insurance salesman out there. -- Film Ireland ... film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre. -- Indiewire This is highly recommended for any film fan, and essential for any Coen brothers fan - let Adam Nayman show you the life of the Coen brothers' minds. -- StarburstMagazine.com The Coen Brothers can count themselves among the small list of the most extraordinary American filmmakers to ever work in the genre. And reading through The Coen Brothers: This Book Really Ties the Films Together is a testament to their talents. -- /Film If you'd like to read more about the making of The Big Lebowski, may we recommend The Coen Brothers: This Book Really Ties the Films Together, which has just been released by Abrams -- AnOther Man It's one of those large Abrams doorstops... filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis that more than justifies their literal heavy-osity. -- Filmmaker Magazine online There's no doubt this is one of 2018's must-own books for film lovers. -- The Film Stage ...a marvelous mixture of well-designed coffee table book and thoughtful analysis of a filmmaking team... -- Flavorwire Christmas gift guide ...fans of Joel and Ethan Coen will appreciate this oversized guide to their offbeat oeuvre... -- Newsday ..this detailed compendium is a cinephile's delight. -- BookPage

...this book tries to plot some Grand Unified Theory of Coen-ness in a definitive exploration of the Coen brothers' oeuvre. -- TheBookseller Far from an entry-level guide to the Coens' career, this comprehensive dissection of their filmography aims to uncover a 'Grand Unified Theory Of Coen-ness'. Exploring the complexities of the duo's oeuvre with forensic attention to detail, critic Adam Nayman flags up repeating motifs and parallels, only occasionally overreaching into tenuousness. -- Total Film The large-format tome, lavishly decorated with stills (including on-set panoramas by Jeff Bridges), illustrations and infographics, may suggest coffee-table fare, but there is genuine substance here. Punctuating his chronologically ordered analyses of individual movies with interviews with key collaborators (though not the Coens themselves) and five chapters charting the commercial and critical vicissitudes of the brothers' career, Nayman swiftly shows he's done his homework: he's read the books that influenced the movies, researched and considered the countless references, and checked, for example, the number of cats used in shooting Inside Llewyn Davis (2012). -- Sight & Sound magazine Nayman's essays are both entertaining and academic, analysing themes and motifs from each film, identifying recurring links between them, and tying them into cinema history - and once you start reading, it's easy to get hooked. Even the most obsessive Coen fans will come out of this appreciating their favourite films in new ways as they see details they never knew were there. -- Starburst One of the pleasures of the big, handsome, mid-to-late career monographs that Abrams Books has made a specialty (they also released books on Wes Anderson, Oliver Stone, and Martin Scorsese) is that they allow us to appreciate the minor entries of those oeuvres. Take, for example, Adam Nayman's The Coen Brothers: This Book Really Ties the Films Together (out tomorrow), which, yes, gives full analysis and appreciation to Fargo, Raising Arizona, The Big Lebowski, and No Country For Old Men. But Nayman also has plenty to say about supposedly secondary works like The Hudsucker Proxy, Burn After Reading, and, in this excerpt, the all-but-forgotten 2001 black-and-white film noir riff, The Man Who Wasn't There. -- Flavorwire Drawing heavily on his knowledge of film production methods and cinematic history and with a keen eye for the concepts that emerge and re-emerge in the Coen Brothers' work, Nayman has put together an urgent and compelling tribute to the two mild-mannered brothers from Minnesota showed us the life of the mind. The Coen Brothers; This Books Really Ties The Films Together is a must for any film buff and required reading for all the stoned bowlers and murderous insurance salesman out there. -- Film Ireland ... film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre. -- Indiewire This is highly recommended for any film fan, and essential for any Coen brothers fan - let Adam Nayman show you the life of the Coen brothers' minds. -- StarburstMagazine.com The Coen Brothers can count themselves among the small list of the most extraordinary American filmmakers to ever work in the genre. And reading through The Coen Brothers: This Book Really Ties the Films Together is a testament to their talents. -- /Film If you'd like to read more about the making of The Big Lebowski, may we recommend The Coen Brothers: This Book Really Ties the Films Together, which has just been released by Abrams -- AnOther Man

"""...this book tries to plot ""some Grand Unified Theory of Coen-ness"" in a ""definitive"" exploration of the Coen brothers' oeuvre."" -- TheBookseller ""Far from an entry-level guide to the Coens' career, this comprehensive dissection of their filmography aims to uncover a 'Grand Unified Theory Of Coen-ness'. Exploring the complexities of the duo's oeuvre with forensic attention to detail, critic Adam Nayman flags up repeating motifs and parallels, only occasionally overreaching into tenuousness."" -- Total Film ""The large-format tome, lavishly decorated with stills (including on-set panoramas by Jeff Bridges), illustrations and infographics, may suggest coffee-table fare, but there is genuine substance here. Punctuating his chronologically ordered analyses of individual movies with interviews with key collaborators (though not the Coens themselves) and five chapters charting the commercial and critical vicissitudes of the brothers' career, Nayman swiftly shows he's done his homework: he's read the books that influenced the movies, researched and considered the countless references, and checked, for example, the number of cats used in shooting Inside Llewyn Davis (2012)."" -- Sight & Sound magazine ""Nayman’s essays are both entertaining and academic, analysing themes and motifs from each film, identifying recurring links between them, and tying them into cinema history - and once you start reading, it’s easy to get hooked. Even the most obsessive Coen fans will come out of this appreciating their favourite films in new ways as they see details they never knew were there."" -- Starburst “One of the pleasures of the big, handsome, mid-to-late career monographs that Abrams Books has made a specialty (they also released books on Wes Anderson, Oliver Stone, and Martin Scorsese) is that they allow us to appreciate the “minor” entries of those oeuvres. Take, for example, Adam Nayman’s The Coen Brothers: This Book Really Ties the Films Together (out tomorrow), which, yes, gives full analysis and appreciation to Fargo, Raising Arizona, The Big Lebowski, and No Country For Old Men. But Nayman also has plenty to say about supposedly secondary works like The Hudsucker Proxy, Burn After Reading, and, in this excerpt, the all-but-forgotten 2001 black-and-white film noir riff, The Man Who Wasn’t There.” -- Flavorwire ""Drawing heavily on his knowledge of film production methods and cinematic history and with a keen eye for the concepts that emerge and re-emerge in the Coen Brothers’ work, Nayman has put together an urgent and compelling tribute to the two mild-mannered brothers from Minnesota showed us the life of the mind. The Coen Brothers; This Books Really Ties The Films Together is a must for any film buff and required reading for all the stoned bowlers and murderous insurance salesman out there."" -- Film Ireland “… film critic Adam Nayman weaves biography, critical analysis, and interviews with Coen collaborators (including longtime cinematographer Roger Deakins) to present the definitive history of the Coen brothers oeuvre.” -- Indiewire ""This is highly recommended for any film fan, and essential for any Coen brothers fan - let Adam Nayman show you the life of the Coen brothers’ minds."" -- StarburstMagazine.com “The Coen Brothers can count themselves among the small list of the most extraordinary American filmmakers to ever work in the genre. And reading through The Coen Brothers: This Book Really Ties the Films Together is a testament to their talents.” -- /Film ""If you’d like to read more about the making of The Big Lebowski, may we recommend The Coen Brothers: This Book Really Ties the Films Together, which has just been released by Abrams"" -- AnOther Man “It’s one of those large Abrams doorstops… filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis that more than justifies their literal heavy-osity.” -- Filmmaker Magazine online “There’s no doubt this is one of 2018’s must-own books for film lovers.” -- The Film Stage “…a marvelous mixture of well-designed coffee table book and thoughtful analysis of a filmmaking team…” -- Flavorwire Christmas gift guide “…fans of Joel and Ethan Coen will appreciate this oversized guide to their offbeat oeuvre…” -- Newsday “..this detailed compendium is a cinephile’s delight.” -- BookPage “It would make a great gift for any Coen fan-boy or fan-girl in your life.” -- Pop Culture Happy Hour “…a king-sized guide to the filmmakers’ off-beat oeuvre… “ -- The Playlist"

Author Information

Adam Nayman is a contributing editor for Cinema Scope and writes on film for The Ringer, Sight and Sound, Reverse Shot, and Little White Lies. He has written books on Showgirls and the films of Ben Wheatley and lectures on cinema and journalism at the University of Toronto and Ryerson University.

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