The Cinema of Takeshi Kitano: Flowering Blood

Author:   Sean Redmond
Publisher:   Columbia University Press
ISBN:  

9780231163323


Pages:   256
Publication Date:   19 March 2013
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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The Cinema of Takeshi Kitano: Flowering Blood


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Overview

The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).

Full Product Details

Author:   Sean Redmond
Publisher:   Columbia University Press
Imprint:   Wallflower Press
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.326kg
ISBN:  

9780231163323


ISBN 10:   0231163320
Pages:   256
Publication Date:   19 March 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.
Language:   English

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Reviews

An imaginatively written self-reflexive academic's journey through the films of Kitano Takeshi. -- Isolde Standish, School of Oriental and African Studies A bold and provocative attempt at pinning down this most mercurial and misunderstood of Japanese directors. -- Jasper Sharp, Midnight Sharp


An imaginatively written self-reflexive academic's journey through the films of Kitano Takeshi. -- Isolde Standish, School of Oriental and African Studies A bold and provocative attempt at pinning down this most mercurial and misunderstood of Japanese directors. -- Jasper Sharp, Midnight Eye


Author Information

Sean Redmond is Associate Professor of Media and Communication at Deakin University, Australia. He is the editor of Liquid Metal: The Science Fiction Film Reader (2005), and co-editor of Hollywood Transgressor: the Cinema of Kathryn Bigelow (2004), Framing Celebrity: New Directions in Celebrity Culture (2006), The Stardom and Celebrity Reader (2008), and The Star and Celebrity Confessional (2011). He is also the editor of the journal Celebrity Studies.

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