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OverviewThis timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. Full Product DetailsAuthor: James ClarkePublisher: Columbia University Press Imprint: Wallflower Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.440kg ISBN: 9780231169769ISBN 10: 0231169760 Pages: 224 Publication Date: 16 September 2014 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Language: English Table of ContentsReviewsExamines Cameron's place in the transitional paradigm of a post-analogue, posthuman, and painterly cinema where impossible bodies are rendered through reassuringly old-fashioned narrative and spectacular conventions that have made his films the biggest on the planet. This comprehensive study outlines how his enduring fascination with bleeding-edge technology has both caught the public imagination and time and again proved a touchstone of the zeitgeist. -- Harvey O'Brien, University College Dublin Informative, interesting, and effective... Reading James Clarke's The Cinema of James Cameron: Bodies in Heroic Motion helps readers to appreciate [Cameron's] influence and proves to be an intriguing experience. Film Matters Examines Cameron's place in the transitional paradigm of a post-analogue, posthuman, and painterly cinema where impossible bodies are rendered through reassuringly old-fashioned narrative and spectacular conventions that have made his films the biggest on the planet. This comprehensive study outlines how his enduring fascination with bleeding-edge technology has both caught the public imagination and time and again proved a touchstone of the zeitgeist. -- Harvey O'Brien, University College Dublin Author InformationJames Clarke is a UK-based film writer, contributing to numerous cinema-related publications. He has also taught Film Studies and designed Screenwriting courses at UK universities. Tab Content 6Author Website:Countries AvailableAll regions |