The Cinema of István Szabó: Visions of Europe

Author:   John Cunningham
Publisher:   Columbia University Press
ISBN:  

9780231171984


Pages:   240
Publication Date:   23 September 2014
Format:   Hardback
Availability:   Out of stock   Availability explained
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The Cinema of István Szabó: Visions of Europe


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Overview

István Szabó is one of Hungary's most celebrated and best-known film directors, and the first Hungarian to have won an Academy Award for Best Foreign Language Film, for Mephisto (1981). In a career spanning over five decades Szabó has relentlessly examined the place of the individual in European history, particularly those caught up in the turbulent events of Central Europe and his own native Hungary. His protagonists struggle to find a place for themselves, some meaning in their lives, security and a sense of being, against a background of two world wars (Colonel Redl, Confidence), the Holocaust (Sunshine), the Hungarian Uprising, and the Cold War (Father, 25 Fireman's Street, Taking Sides). This is the first English-language study of all his feature films and uses material from interviews with Szabó and his collaborators. Also included are chapters on his formative years, including his time at the famous Budapest Film Academy and the relationship of the state to the film industry in Hungary.

Full Product Details

Author:   John Cunningham
Publisher:   Columbia University Press
Imprint:   Wallflower Press
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.454kg
ISBN:  

9780231171984


ISBN 10:   0231171986
Pages:   240
Publication Date:   23 September 2014
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.
Language:   English

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John Cunningham is the author of Hungarian Cinema: From Coffee House to Multiplex (2005) and many other articles and essays on Eastern European and particularly Hungarian cinema. He is now retired, but most recently taught Film Studies at Sheffield Hallam University, UK.

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