The Cinema of Discomfort: Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film

Author:   Geoff King (Professor of Film Studies, Brunel University London, UK)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781501385735


Pages:   304
Publication Date:   20 April 2023
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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The Cinema of Discomfort: Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film


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Author:   Geoff King (Professor of Film Studies, Brunel University London, UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781501385735


ISBN 10:   1501385739
Pages:   304
Publication Date:   20 April 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction 1. Into the Discomfort Zone 2. 'Uncomfortably Great': Todd Solondz and Palindromes 3. Ulrich Seidl: Far from Paradise 4. Weirdly Discomforting: Dogtooth and the Greek New Wave 5. Roy Andersson and Ruben OEstlund 6. A Very British Discomfort? Joanna Hogg 7. The Comedy of Discomfort Bibliography Index

Reviews

As a text, The Cinema of Discomfort is an intrepid and valuable exploration of a difficult topic, characterized by a tremendous level of care and insight throughout on the part of the author. It is a painstaking achievement, and one that has a distinctive place within film criticism today ... King has contributed a keystone piece of theory that will continue to illuminate sickening subtleties of filmgoing for years to come. * Cineaste Magazine * The Cinema of Discomfort adds another dimension – and marks another important advance – in Geoff King’s masterful study of independent film and international art cinema, digging into the oddly pleasurable and darkly comedic “assaults” mounted by resolutely marginal filmmakers ranging from Todd Solondz to Yorgos Lanthimos to Joanna Hogg. * Thomas Schatz, Professor and Jones Centennial Chair, University of Texas at Austin, USA *


As a text, The Cinema of Discomfort is an intrepid and valuable exploration of a difficult topic, characterized by a tremendous level of care and insight throughout on the part of the author. It is a painstaking achievement, and one that has a distinctive place within film criticism today ... King has contributed a keystone piece of theory that will continue to illuminate sickening subtleties of filmgoing for years to come. * Cineaste Magazine * The Cinema of Discomfort adds another dimension - and marks another important advance - in Geoff King's masterful study of independent film and international art cinema, digging into the oddly pleasurable and darkly comedic assaults mounted by resolutely marginal filmmakers ranging from Todd Solondz to Yorgos Lanthimos to Joanna Hogg. * Thomas Schatz, Professor and Jones Centennial Chair, University of Texas at Austin, USA *


The Cinema of Discomfort adds another dimension - and marks another important advance - in Geoff King's masterful study of independent film and international art cinema, digging into the oddly pleasurable and darkly comedic assaults mounted by resolutely marginal filmmakers ranging from Todd Solondz to Yorgos Lanthimos to Joanna Hogg. --Thomas Schatz, Professor and Jones Centennial Chair, University of Texas at Austin, USA


Author Information

Geoff King is Professor of Film Studies at Brunel University London, UK. He is author of numerous books, including pioneering studies of American independent and Indiewood cinemas. His most recent publications are Quality Hollywood: Markers of Distinction in Contemporary Studio Film (2016) and Positioning Art Cinema: Film and Cultural Value (2019).

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